This is a quiet book about depression and how it can seemingly take over a person’s life and entire perspective, and then how to get away from it.
Aysel suffers from depression, which she imagines is embodied as the “black slug” in her stomach. She also worries that the apparent mental problem that caused her father to murder someone might also live inside her. The only solution she sees is to kill herself, so she searches the internet for a suicide partner. Finding one close by in a boy named Roman, the two of them come up with a plan—a date, place, and method. The rest of the novel focuses on their growing relationship and how it changes Aysel.
Aysel’s a different kind of character. She’s still into classical music, like her dad taught her to be, even though she thinks she might hate her dad after what he did. She’s also a bit of a physics nerd. She isn’t close to her family, mostly because she thinks of herself as fundamentally different from them, even though she lives with her mom, stepdad, and half-siblings. She also feel different from everyone around her, partially because she’s Turkish (her parents came over to the US from Turkey), but also because she doesn’t know how to connect with other people. She’s clearly damaged and her depression has taken over. Roman’s also damaged, but his comes from a single act of negligence on his part that resulted in a tragedy. He can’t live with himself even though it wasn’t really his fault.
Warga handles Aysel and her depression without making the book itself to depressing. There are even some light moments. This made me laugh:
I don’t admire many things about Stacy, but I have to admit it takes some ovaries to talk to your physics teacher like he’s a puppy.
In general, Aysel’s voice is very believable. She comes across as a little younger than a lot of sixteen-year-old protagonists out there, but I think it fits because of her social isolation and inexperience with relationships.
My Heart and Other Black Holes provides a good look into the mindset of a suicidal person, so it could easily be used both to be related to and to be a teaching tool.
Two Can Keep a Secret is the followup (not the sequel, that’s a different book) to McManus’s One of Us Is Lying, which I liked and 
When I first heard about this book, I was sort of freaked out because of similarities it has with my own Sadie Speaks (still unpublished). I’m hoping I don’t have to change the name of my character because of it. Still, it sounded like an interesting book, so I bought it.
It’s probably a little odd to be doing a review of a holiday short story collection several weeks after the holidays ended, but since when did I claim to be normal. Besides, I started reading this before Christmas.
I wish I could remember how I found out about this book, because I’d like to go back and ask for more recommendations, because this was a great read.
I’ve just discovered a new gem in this author/artist. There were moments I was reading this when I thought Tung must have been channeling my thoughts word-for-word. Quiet Girl in a Noisy World: An Introvert’s Story is a memoir chronicling Tung’s life from late grad school at the University of Birmingham in England through her first real job. She reflects some on her childhood and basically shows how she came to realize that being shy and very introverted is okay, not something to be ashamed of. Her art style is subdued in black, white, and gray watercolors and I really liked it.
The good news is that by the end of the book, she has discovered and accepted her introversion, and no longer beats herself up over it.
I’m a big Rowell fan because I think she does a fantastic job of capturing the emotional truth of people in her characters. I was new to Hicks, but I quite enjoyed this graphic novel. Hicks’ art was sharp and evocative. It felt like she used an autumn color palette, too, that comes across as seasonal and vivid.
I heard about this book and put it at the top of my list since it was about a girl working in an ice cream stand, similar to one of my characters. I didn’t quite pick up the authenticity tidbits I’d hoped for (the situations were different), but I got to experience a good story.
This is the first sci-fi I’ve read in a while, but I quite enjoyed it, despite some reservations I had and will address below. I consumed these three books as audiobooks, which I think were well-executed, all by the same narrator.
In the second book, Ten Thousand Skies Above You, Marguerite deals with a major conspiracy (I’m trying to not give away much here) involving multiple dimensions and her in a way she never would have expected. She travels to several different dimensions in this one. The conspiracy unfolds more and more, which is interesting and complicated. The love story gets complicated. Then the book ends on the worst kind of cliffhanger. At first everything seems great, and then in the last sentence, you discover it’s not.
Additionally, I felt like the characters ignored the ethical ramifications of interrupting other people’s lives in other dimensions. This does eventually get somewhat addressed, but it bugged me throughout (especially some of Marguerite’s decisions along the way). And I should mention that some of Marguerite’s choices didn’t make a lot of sense to me.
I had heard of Federle because of his Better Nate Than Never middle grade series, but I’ve never read them. So The Great American Whatever was my introduction to him. It’s about a movie- and screenwriting-obsessed sixteen-year-old boy named Quinn. About five months before the book opens, Quinn’s sister Annabeth was killed in a car wreck, which has him devastated and not particularly functional. She was his filmmaking partner—they had a production company called Q&A Productions and Quinn envisioned them going to Hollywood together some day.
The first thing I have to say is that this is an unusual book. It’s about violence and rape culture, which means it’s wasn’t easy to read. But it felt worth reading.
I admit I’m a fan of Caletti, even though I haven’t yet read all of her books yet (I’m at about half). I love how she writes about mental health issues without making the stories issue books. So I was predisposed to like this one. Which was fine, because I did. I should mention that I listened to the audio book rather than read the paper book.
Normally I stick with YA here, but I couldn’t resist reviewing what is probably my favorite graphic novel series, even though it’s totally for kids.
I’ve read and enjoyed another Armentrout book (I even used it for a comparison title for Finding Frances). So I was curious about this one. The back cover description didn’t excite me a great deal, but I found it on audio at the library and decided I needed to listen to it.