Moving Forward, I Guess

So things are not going great. I’m pretty sure I posted earlier about my plan to give myself a real chance of getting an agent and getting published by a large press. My book coach told me that while she thinks my writing is good, it’s not quite at the publishing industry standards of quality. She said I was close, but just needed a little more to get my work all the way. Current wisdom says that agents won’t take on a project unless it’s publication-ready. No more do they take someone on and develop them. Or so it’s said. But I’ve heard plenty of stories about people being taken on by agents who then work with them on several revisions of their manuscript(s), so I don’t really believe it. Still, it does seem that I'm not going to be one of the lucky exceptions. I’ve done everything I possibly can to improve my craft to the point where my work is publication-ready, and I’m still falling short. Whatever the situation really is, I am not good enough to get an agent. 

So my book coach felt like with the right editor, who could make a deep dive into UGLY, maybe I could get it all the way to publication-ready. The trick was that this needs to be exactly the right editor. Someone who really knows the industry as it stands now, and would therefore know what I need to change to make it pass muster. She suggested one developmental editor, only to find out they weren’t taking on new work. I also got another recommendation from a Printz Honor author who is really good friends with a really good friend of mine, but she also wasn’t taking on new work. Then my book coach came up with another name she also felt confident would be able to help me with my specific needs. 

I sent the manuscript off in the first week of May. At first she was really helpful—she even looked at a query I had to send by the end of the month because of an opportunity I had to submit to Delacorte that month. I understood that it would take her about six weeks, which would mean that I’d have the manuscript back by the end of June. At that point, I followed up and got an answer that made it sound like I’d have it in less than two weeks, because she was just finishing up the second read and would then only have to transfer her comments to the document and write the edit letter. Two weeks passed and I followed up, and that is really where the nightmare began for me. Fast forward to October now, and I have had promise after promise that it would be delivered, and still don’t have it. The reason I let it go on this long is because she was having some really big and awful family and medical stuff going on. I don’t think she was lying. Though I’m not sure when it all started. But I would follow up about every two weeks, and every time I’d hear promises of an imminent delivery. At one point when I hadn’t heard back, I asked my book coach to follow up (they know each other), and then I heard back from the editor with more promises. She also claimed she loved the book and did have suggestions, but really believed in the book. Every time she was very credible, and I’ve become convinced that this was one of those things for her where you just get stuck on something, and can’t do it no matter how hard you try. But she still kept promising. By early September she was promising to refund me the first payment I’d made and still get me the feedback (earlier she had told me she wouldn’t be charging me the second half of the charge). I told her I didn’t want a refund, just the manuscript. I talked to a couple other writing friends who said I should just give up on the feedback and cut her loose. So I emailed a couple Saturdays ago telling her that if she couldn’t get it back to me by the following Sunday (last week), I just wanted a refund. As that date approached, an idea started forming in my head. Sunday came and went, and the next day, I got another email promising to get me the manuscript in what sounded like the same day. Didn’t happen. So Tuesday I finally officially gave up. I emailed her telling her I didn’t care about the feedback anymore and just wanted a refund. 

This whole thing has been hard for me because it has always been my dream to be agented and published by a major publisher. I have worked like crazy to get there. UGLY is my best work, and it still has collected over 100 agent rejections (adding to the mountain of rejections for Finding Frances, over 200). It just seems delusional to keep believing that me getting an agent is really possible. So telling the editor I don’t want the feedback anymore is giving up on a major dream I’ve been working toward for almost ten years.  

The editor did respond, saying she would be refunding me in a few days. She also said some nice things about the book and my writing—I know she did read the book—but I just think it’s not a good time to try to get an agent. It’s not going to happen. She again said she’s going to send me feedback. I believe that she will, but not necessarily this weekend like she promised. 

So, I have decided to publish UGLY on Kindle Vella, even though the Always the New Girl stories have completely bombed there. But supposedly your stories have a better chance of getting discovered if you are actively publishing episodes, so I will be publishing maybe two episodes a week. I have no idea how long it will take to get through the whole book, because I’ve got to break the manuscript down into episodes first. I am going to go the Vella route because I think if I publish it as a standard novel, I will never find readers. Most of the promotion things I know how to do target adult readers. And we all know that adult women do read YA, but this particular story is really going to appeal to teens more than adults. And supposedly Vella has teen readers. So that’s what I’m going to try. I do not anticipate success this time, either. I’m just not top-tier. But I have been wrong before, so maybe I’ll get lucky this time. If it doesn’t work out, when I finish publishing all the episodes on there, I can pull it off and publish it as a novel. So I was planning to send the manuscript as it is—and has been for over a year—to a line editor. She’d be able to get it back to me by the second week of November, and I’ll be able to make the necessary changes and split it into episodes hopefully by mid-November. But I’m thinking it might make more sense to wait until January to publish it, which means I have to time to see if the developmental editor really does send feedback, and attempt to incorporate it. Either way, between now and then, I need to get a really good book description written, a cover image ready, and figure out seven good tags to use. 

So I guess I’m forging ahead.

Stuck

This past week I tried my first advertising on Facebook and Instagram. I made an ad for “Now Would Be Good,” the first story in Always the New Girl as posted on Kindle Vella. I can’t say it’s working at all. People are clicking on it, but not a single episode from the series has been read this week. I have no idea how to get the message out. This writing thing is so hard. But I do think I’m going to go ahead and make an ad for Finding Frances. I suspect that one reason I’m not getting reads on “Now Would Be Good” is because people aren’t familiar with Kindle Vella.

I’m still waiting on the Ugly edits from the freelance editor, who’s having some (pretty awful) personal issues and can’t seem to finish the last step in getting it back to me. I’m just in limbo without it, though. I don’t want to start anything new. I want to wrap that up and start sending it out to agents again.

If it still fails to get me an agent, I don’t really know what I’ll do. Maybe I’ll just self-publish, even though I already know nobody would buy it. I just don’t seem to have the marketing chops to make it happen. But after that, I’m not sure if I’d start working on Sadie Speaks again. As much as I love YA, it doesn’t seem to feel the same about me. I do think I’m going to work on some of my romance projects and get those out there (self-published) to see if I can do any better in that genre (which is much more self-publishing-friendly). So most likely I will continue my break from YA for a bit.

On the other hand, if I do manage to land an agent, I will probably refocus and get back to Sadie Speaks. Or I might dive into the sequel to Ugly, for which I have the premise and main characters already worked out.

Anyway, time will tell.

First Book Event and a Contest Milestone

Yesterday was my first book event, at Best of Books in Edmond, Oklahoma. It was with four other authors of three other books. They put me at a table with another YA author, Talitha DeVilliers, and we had a nice chat about YA and writing. The staff was all really nice, too, although we didn’t interact much. I even broke the double digits in sold copies of Finding Frances (I had very low expectations) and I was able to leave three signed copies on consignment. I handed out a few bookmarks that also had Always the New Girl information on there. I also got to see a friend I hadn’t seen since she visited me when I lived in Scotland, I think in 2002.

Here’s a photo my mom took of all of us:

Author Event
Best of Books in Edmond, OK

Also, in other good news, I submitted Always the New Girl (stories 1-6, not the prequel) to the BookLife Prize contest (the one Ugly semi-finaled in in 2019) and got the score back a few days ago—a perfect 10 out of 10. This should mean I should make it to the quarterfinal round, at least, which is awesome. It’s just nice that somebody in the industry thinks it’s good. The listing can be seen here. It includes the score and review, which was really glowing. 

Another Win and New Release

I found out Finding Frances placed 1st in the YA Novel category of the NEST (National Excellence in StoryTelling) contest run by the Central Region Oklahoma Writers. You can check out the winners page. So that’s nice, too. 

But bigger news is that I’ve released a new book, on the new serial platform, Kindle Vella. This is the Sarah stories, which I’m now collectively calling Always the New Girl. I released it as seven separate stories, as #1 (Now Would Be Good) through #6 (The Weight of Choices) plus the prequel (Binding Off). If you are interested in reading it, you can search for my name or the series name on the Vella page linked above. To read the entire series, you’ll have have to have 703 tokens, which you should be able to get with the free 200 and a purchase of 525 for $4.99. I’d love it if you could:

  • Follow the story
  • Like each episode
  • Review the story
  • Fave the story (you can only do one a week, and only after you’ve purchased tokens)

One downside to this is that you can’t read on an actual Kindle, only in the app or on the website. But I’m really hoping this takes off a little and gets me new readers for Finding Frances (probably wishful thinking, but why not?). 

Another Contest Update

So I know I posted last week after ages, so posting again one week later is a little odd… but I found out Finding Frances got another award, an Independent Publisher Book Award (an “IPPY”). This is another one with tons of categories, but it’s still nice to get some more recognition. Last year they had close to 5000 entries (I couldn’t find this year’s number). This time the book placed third (in another tie—what the heck is up with that?) in the Juvenile/Young Adult Fiction E-book category, which can be seen on this page. 

On the heels of these wins, I felt emboldened enough to apply for another BookBub Featured Deal. And got a big fat rejection a couple days later. So I’ve signed up for another Bargain Booksy deal for June 26 (the ebook version will be on sale for 99 cents from June 25 through July 1, in case that is of interest to anyone... anyone?). Because I found out—and it’s a little embarrassing to write this, but whatever—I have not sold a single book in 2021. A couple books (maybe 3?) sold on Amazon, but apparently they had a few in stock, so not a single one has been purchased from the publisher (I did confirm this with them). No Kindle or other ebook, either. I knew this was going to be hard, but not this hard. Ugh.

Maybe if I can make some progress with the Sarah stories, starting with “Now Would Be Good,” on Kindle Vella, I’ll get some new readers for Finding Frances. I mean, it can’t make things any worse, as it’s not possible to have a negative number of readers. Also from the department of maybe-not-bad news: I heard from my developmental editor on this book that she started reading this past week, so I’m hoping she’s as fast as she’s been in the past, and I get it back in a week or two. I can get “Now Would Be Good” ready to post pretty quickly, as I’m not going to worry about sending it to a copy editor first since it’s been gone over so many times as part of my thesis and more. I am still going to send the whole book to a copy editor, so if they do find anything wrong with that story, I can always update the text later. The only thing that will slow me down is if my developmental editor suggests any major structural changes that impact that story (or anything that comes later but I need to set up there). 

Random image: here’s a self-portrait I had to do for a class. My mom says it’s “frownier” than the photo I drew it from. Maybe I was subconsciously depicting how I feel about my less-than-stellar writing career? 

May 2021 Update

So it’s been a couple months since my last post. Although my break has actually been kind of nice, I’m in a weird place. I haven’t been able to read YA lately (or anything other than picture books, really). Still, things have changed a little since then. I decided to send Ugly to a developmental editor my book coach recommended, as she thinks this editor could make the difference for me. So I’m going to give it one more shot. I should get it back from her soon, and then I’ll have to dive in. 

Additionally, I’ve decided to clean up the Sarah stories and publish them through Kindle Vella, which is a new serial platform that hasn’t been released yet, but is coming soon. This book is odd and was always going to be hard to sell. But it’s perfect for serialization, because it’s always been a novel in parts, where each part is a self-contained story, with all of them adding up to a larger story. So each novel part can be one “story” in Kindle Vella, with each chapter (or maybe a few chapters) making up an “episode”. Here’s an article if you’re interested in learning more about Kindle Vella. I’m in the process of finishing up the full draft (meeting with my critique partner today to go over the revised last story), and I’ll make any needed changes and send it to a developmental editor this week. Then, once I make any of her recommended changes, I’ve still got to send it to a copy editor (I could skip this step, but I probably shouldn’t—though I might be able to get away with it for the first one, since it’s been edited so heavily in preparation for going into my thesis). I’m still hoping to get the first story (I’m starting with “Now Would Be Good,” which is technically the second story chronologically, but I’m planning to do the actual first one at the end, as a prequel) published on Vella before it releases, but that probably won’t happen. But I can hope. 

I also found out that Finding Frances has won an indie award called the Next Generation Indie Book Award. There hasn’t been a press release yet, but I was notified earlier and you can see the list here. Once they’ve officially announced it, it will show up on this page. The book tied for first place in the First Novel (70k-90k) category. Now, this award isn’t exactly prestigious and there are a million categories, and I really would have rather placed in the YA category, but it’s still really nice to get some recognition. Somebody somewhere thinks it’s a good book, even if nobody is buying it. Also, the prize is $100, which I assume they’ll split in half since it was a tie. Which increases my income from this book by more than 50%. This book hasn’t exactly been a rousing success. 

Other than that, I haven’t been working on any other YA stories, instead focusing on my picture book venture. I’ve got two different drafts that are coming along nicely, and another new one I wrote a first draft of on Friday. I’m going to be starting drawing up thumbnails for the first one, even though it’s going to be a while before I can actually do the artwork. I’m taking Life Drawing this term, and let’s just say my ability to draw people… needs to develop a little. 

Here is a sketch I did in my Life Drawing class that doesn't suck.

 

A Change

So I’ve made a decision. Despite years of my best efforts, I can’t get anywhere with the gatekeepers in YA publishing. So I’ve decided to stop writing YA, as it’s not worth continuing to put this much energy into something when there’s no hope of getting what I want out of it. Ugly was supposed to be the one that got me an agent, because it’s exactly what they’re all claiming they want: something diverse and different. But despite over 115 queries to agents on it, fewer than five requested anything, and nobody’s giving me anything but form rejections (most don’t respond at all). I do still have one full out on it—my only thing out there, which she’s had since December—so maybe I’ll change my mind if she decides to take me on. But that is unlikely, given my track record so far. I’m 95% done with the Now Would Be Good stories, but that is virtually unsellable because it starts when the main character is 13 and ends the summer she’s 18. Nobody buys YA with protagonists that young, at least not without some serious convincing. I’ve always known this was a problem, but I thought I’d have a chance with it if I could get an agent on Ugly, which for so long I believed would happen. I’ve been working on Sadie Speaks, too, and my book coach thinks this one could make it, but from what I’ve been hearing at conferences, the YA suspense/thriller market’s saturated and it’s hard for new writers to break in. 

I’m still debating what to do about the romances I write under a pen name, because those I’ve long planned to self-publish, so I don’t need to convince anyone I’m worth looking at there. But I never cared about those as much as my YA, so I don’t know.

As you might have noticed from my blog here lately, I’ve already been sort of shifting my focus to my art and learning how to make picture books, so I’m just going to make that my only real focus. 

I’m not sure what this means for this site. I don’t plan to delete everything, but I’m not sure if it makes sense to switch to talking only about picture books when it’s been so focused on YA for so long. Do I start reviewing the picture books I’m reading here, or should I make a new site for that? I have no idea. I am planning to publish any picture books I make under my real name, so maybe I should just keep the site as it is and change what I blog about. It’s hard to know. 

I guess I’ll just figure it out later. 

Feeling bit lost at the moment…

End-of-Feb Update

Well, I didn’t manage to post last week and I don’t have a lot to say this week. I should get a review up next week, however. 

Amazon took away one of the reviews of Finding Frances, so that’s extremely annoying. Those things are hard enough to come by. Other than that, there’s no news on the writing front. 

I finished my second term on the art degree and am starting three new classes this week. Due to some scheduling weirdness, I’m in two art history classes and one digital art class, so no physical art at all this term. I’ll have to figure out some stuff to make, anyway. I am still taking a weekly watercolor class, so I’ll continue that. Since I don’t have much to report in the writing world, I figured I’d share some of the art I made over the last few weeks. 

This is my first complete watercolor still life. 

Small pumpkin watercolor still life

We had to do a bird’s eye city scene with a character “falling.” That sort of creeped me out, so I gave the character an out. And made it a cat. Why not?

Winged cat over city

This one’s called “The Prize.” It was supposed to be three characters involved in a conspiracy of sorts. I figured a couple of boys arm-wrestling for a kitten would be close enough. Not that they particularly look like kids… I’ll get better—I take life drawing 1 next term. 

The Prize - two boys arm wrestling over a cat

Oh, and I figure I’d post a picture of my new cat, Xander, because why not? (Isn't he cute?) I’m working on a watercolor version of this picture because I love it, so if it turns out okay, I’ll post it here. 

Orange tabby cat on a chair

Pivoting and Staying Busy

If you know me at all, you’ll know I keep myself pretty busy. It keeps me from getting depressed. But I’ve taken on a crazy amount lately, so I didn’t finish reading a book this week and don’t have a review.

I’ve decided to branch out into picture books. I want to write and illustrate biographies of women in STEM fields, though I might do some fiction, too. But since I’m new to them, I have a long way to go. I’ve been reading lots but decided to join some online communities related to picture books to learn more rapidly. I did Storystorm, which is a month-long challenge to come up with an idea per day (technically just the first 30 days) in January. I also joined the 12x12 Challenge, where you try to write at least one picture book manuscript each month. This is focused on the writing part, not the illustrating.  But there’s another online school called Storyteller Academy that focuses on picture books, both writing and illustrating if you want. I signed up for that, too. For this there are actual courses and you take whichever ones you want. I signed up for several for this term: Drawing, Illustrating, Character Design, and Writing Picture Book Manuscripts. I also started taking a weekly class in watercolor painting (finally; I’ve been wanting to do this for a while). Add this to my BFA program, where I’m doing 18 credit hours this semester, the weekly data science class related to work that I’m taking, a really good playwriting class I’m taking, that I have to send ten pages of the in-progress Sadie Speaks rewrite to my book coach every week, that I’m also working on a romance and meeting my critique partner weekly, the two monthly critique group meetings, and the fact that I’ve got a full-time job, and it all adds up to me being crazy busy. But I love it. So.

Two of the classes I’m taking for the BFA are perspective and topics in color, and I’m loving both of them. The perspective class is great—I’ve always been decent at perspective, but I am learning more about measuring, which speaks to the math-minded person I am. And the topics in color class is also fascinating. We’re studying color mostly via acrylic painting, and there’s something very satisfying about mixing paint. I’m learning a lot, even though I still don’t think acrylics will be my medium of choice. As much fun as the process is, the end result doesn’t please me the way watercolor does (though I know you can water down acrylics and use them like watercolors, but I’m still thinking I’m leaning toward watercolor proper).

I’m going to share an abstract painting I did for my topics in color class. We had to take a photograph and make an abstract version of it. I used this photograph of a sunset in Oklahoma City on New Year’s Day 2020:

Oklahoma City sunset

And this is the painting, which I like even though it’s not exactly fine art:

Abstract OKC sunset

I’ll also share a drawing I did for my perspective class, which has lots of problems but is still kind of cool:

Perspective drawing of railroad station

I’d Love a Review

As I’ve mentioned, I’m on a quest for reviews for Finding Frances. I want to run a promotion on Book Bub, and the rumor is you need at least twenty reviews to have a chance. This past Tuesday, I ran a promotion on the book that resulted in at least some sales, so that’s cool (my rating on Amazon went from 1,702,055 on November 4 to 27,553 on November 10). Obviously that’s nowhere near great success, but it’s nice to not be in the millions for a few days. Maybe someone who bought it will review it… I can hope. I’m also still in the middle of a review tour where I’m supposed to get eleven more reviews. I did get my first review that was lower than four stars, so that was interesting. I’m not upset—it still counts toward my total reviews and I still have a fairly good average rating.

I did decide to do NaNoWriMo for sure this year, and I’m barreling ahead with it, way ahead on word count because I’m working off an existing draft that has some usable parts (i.e., I’m cheating). I’m rewriting one of my romances.

At the end of October, I revised the first five chapters of Ugly and wrote a new chapter that comes between chapters one and two. I’m hoping these changes will be enough to make the editors and agents like it (though I have the rest of the chapters yet to do—that will happen after I finish my NaNo draft).

I also got my feedback back from Lou on the revised Sadie Speaks (the first 20 pages, anyway). He was mostly positive but had some tips I can use. I have just one more submission for him, and one for my research class, and I’m totally done with the MFA. My thesis was accepted by the library for binding earlier this week, so I’m officially done with that.

Style

Not a lot has changed in the past few weeks. I got my thesis back from the second reader, so now I’m ready to finalize it and send it in. I finished my class about narrative distance and got some feedback from the teacher, so now I feel ready to tackle fixing Ugly. I’m pretty sure I’m going to try to do NaNoWriMo this year, after waffling about it for a while. I may not succeed—may, in fact, give up part way—but I’m going to start it and see how it goes. I’m going to be busy because I’m also taking two art classes. Being me, I decided to go for it, and I enrolled in a BFA program in Illustration. Crazy, I know. But I'll learn stuff.

I’ve still been working through a pen and ink techniques book, copying from the artist’s drawings. I’m getting better and learning some techniques, and developing my own style (slowly). I’ve included a few pictures below.

Drawing of trees on a hill

Drawing of small sailboat

Drawing of castle stairs

Writing and Education

I recently joined Sisters in Crime, a mystery/suspense/etc. writers’ group, just in time to attend there SinC Into Great Writing: Creating Authentic Characters webinar. I was excited about it because Lou Berney, the author I’m working with this semester for my suspense class in my MFA, was featured. But K. Tempest Bradford was also presenting about writing the other. I’ve heard of her but never seen her teach, which is a shame because she’s a great presenter. If you’re a writer wanting to learning about diverse representation and writing characters different from you, I highly recommend looking for her workshops. She’s very organized, clear, and deeply knowledgeable. She’s also a funny (not excessively so, but she kept it light despite the serious nature of the topic). She also talked about sensitivity readers. Apparently the going minimum is about $250/300, which isn’t bad to me. The next part of the webinar was a conversation about character with Walter Mosley and Lou Berney, which was also interesting. It really was just a conversation for the most part, with the moderator asking a few questions to get things going.

In MFA news, I sent my thesis to the second reader, which means there are no more changes to make. I also turned in the synopsis of rewritten Sadie Speaks to Lou last week and I’m looking forward to getting his feedback on it. If he doesn’t have recommendations for major changes, I’ll be able to submit two samples from the beginning of the book, which I’m hoping is two chapters each. Otherwise, I’ll have to revise the synopsis for the first submission. I just have one more submission to make in my research elective (though I do have half a book to read for it). So I’m really close to being done here.

Outside of that, I just started an online class called How Stories Get Told: Voice and Narrative Distance which I’m hoping is going to help me fix the narrative distance problem Ugly has. Because I think that’s the problem. We’re so buried in her head we can’t see the rest of the world.

I’m still internally debating doing NaNoWriMo this year. This is the month I need to do the planning if I want to make it work. I would be rewriting a romance of mine. I’m also trying to figure out if I’m going to cheat if I do decide to go for it. I already have some of the novel written (actually the whole thing, but only some of that is usable), so I could count the parts I pull in toward my word count. Normally, I’m a purist about it—I only start brand new projects and would never cheat. But it is 2020. So.

One issue is that I want to work on Ugly, too, so it will be hard to do both, which means I may not get to Ugly until December, when I told the agents I could get it to them by the end of the year. I’m also still actively working on the Now Would Be Good stories. I’m running it through my book coach 2500 words a week, with many weeks to go. On top of that, I’m taking another writing class on short stories that starts on October 13, so I’ll be trying to produce work for that. On top of that, I’m studying calculus to prepare for starting the statistics master’s again next fall. So really, if I were sensible, I would not do NaNo. But this is me, so who knows what I’ll decide.

An update on the expensive cat problem: my MacBook Air display died again, and this time they replaced it and two internal cables. So there really was something wrong with it that wasn’t from Maddox biting it. But I still installed a Maddox bite deterrent system:

Maddox Bite Deterrent System - cardboard taped to the corners of the screen

So far it’s working reasonably well. I’ve caught him biting the cardboard several times, but he hasn’t gotten past it yet.

Expensive Cat

There's really not much going on in my writing world. Still working away on the Sarah stories (Now Would Be Good). I worked up a new synopsis of Sadie Speaks to send to my mentor in a few weeks. I'm also really frustrated—I applied to a postgraduate semester in Writing for Children and Young Adults at the Vermont College of Fine Arts—I was hoping to work with a well-known YA author on Ugly—but they're taking a long time to get back to me. I think it's a rejection, which means I should get started revising Ugly again, but since I don't know, I'm stuck waiting. I'm kind of disappointed, though. I felt pretty confident in my application. But whatever.

I'm also trying to decide if I'm going to do NaNoWriMo this year. If I do, I'll be working on my second romance. It isn't totally planned out yet, which means I'll need to spend some of October prepping it. I haven't done NaNo since 2017, when I wrote Ugly.

I'm going to be running a sale (99 cents) on my book for a week in November and featuring it on Bargain Booksy again, on November 10th. I'm hoping to get a few more sales than I did when it was still $4.99.

Now for a little rant. This guy:

Maddox biting computer
Maddox trying to bite my work computer

Is in big trouble. I have a Macbook Air that I bought in July of 2019, and about four weeks ago the screen died. I fortunately have Apple Care, because they counted the chipped glass from Maddox's bites as accidental damage, so it didn't qualify for repair under the warranty (even though the tech at the Genius Bar agreed with me that it was unlikely to have actually caused the damage). That was $100. Within 3 hours of getting the repaired computer back, this monster bit the corner again, chipping it. Then, last Wednesday, the screen abruptly died. So, either his biting really is causing the damage, or I'm just really unlucky (no, I'm definitely unlucky, either way). I have an appointment at the Genius Bar Thursday. I'm hoping Apple Care will apply again and it will only be $100 again.

Sigh.

Bookshelves

It feels like there really is not much of interest going on right now. The thing I’m most excited about is the bookshelves in my bonus room that are finally ready for use. Here’s a picture of them before the top was finished (the railing is because there are stairs leading into the room):

Bookshelves with closet

And here is a picture of the top, finished except for a final sanding and painting:

Bookshelves with top compartment

I’ve started loading the shelves, but it’s a real struggle to decide what goes where, between the shelves downstairs, the shelves in the office, and the new shelves. It’s a nice problem to have, though.

In other news, I have finished my thesis except for formatting. I had a few minor edits from my advisor, and I’ve done them, but the thesis requires specific formatting and I’m working on that. I’ll get it to her in a few days, and then it will be officially done, except for printing and submission to the college library. I’m not exactly sure how that’s to be done remotely, but I’ll find out.

I ran Finding Frances through a promotion that went out to 75,000 people, and at least one person bought it. Maybe just one, but still. I’m still struggling to get enough reviews to try for a BookBub deal (supposedly having 20 gives you a much better chance, and I currently have 16).

August 2020 Update

I don’t have much to report about my writing. I did sell a couple copies of Finding Frances in June, and one in July. It’s pitiful that this is exciting, but there you go.

The final semester of my MFA has officially started. The main work is preparing my thesis, but I have that almost done. My mentor has the full creative thesis now and will be giving me feedback on it, and I have a few little tweaks to make to the critical part of it, and then I’ll submit that to her later this month. I’m also taking two classes in addition to the thesis. One is on suspense and thriller novels with Lou Berney (author of The Long and Faraway Gone, one of my favorite such novels). He’s got me reading a handful of novels for the first packet and then writing a short paper about what suspense is, and then for the second packet he’ll read a synopsis of my rewritten Sadie Speaks, and then pages from the novel for the two later packets. The other class I’m taking is on research for writing, with Jeanetta Calhoun Mish, who’s Oklahoma’s Poet Laureate. I’m researching Irish history now, because I’m thinking of writing stories set in Ireland in various points in history, since I spent so much time and effort delving into it in college. I don’t know if I’ll ever really write it, but if I want to, I’ll have all my research ready.

Other than working on that, I’ve been drawing more. Here’s an oil lamp I did in stippling (which I will probably never do again—tedious) and a mannequin I did using hatching.

drawing of oil lamp

drawing of artists mannequin

I’ve also started studying math again, because I’m planning to start the stats degree back up next fall, because I need that much time to study. It’s amazing how much you can forget when you don’t use it… I'm using Khan Academy as a starting point, which is pretty amazing. I'm guessing it's getting a lot of usage during the pandemic.

The only other thing going on is that I’m getting some work done in my bonus room, the room over the garage. It has a slanted ceiling but is otherwise a decent-sized room, and I’m getting bookshelves installed on the long, tall wall, along with a closet built at the end of the wall. The idea is to make it count as a bedroom. I’m not sure it will work, but I am sure I will have a lot more bookshelf space to store my many boxes of books. They’re starting the work tomorrow, and I’ll post pictures once it’s done. For your amusement, I’ll post a terrible but related poem I had to write for my residency (the assignment was to write a ghazal, which is an old Arabic poetry form—I didn’t do it quite right, but I got most of the elements right (writing about a desire with lots of repeating words and naming yourself near the end)).

They overflow from shelves and boxes. Books for me.
On tables and cabinets. History, math, linguistics for me.

Fiction, lots of fiction, of all different types.
Boxes of books, as far as the eye can see, for me.

They’ve come shipped from all over the world.
From Glasgow, Edinburgh, Pilsen, Milton Keynes, for me.

Even some from the Isle of Skye, in Gaelic.
The cats nestle amongst them, I read for me.

But they’re everywhere, too everywhere.
A place for them is what I need, for me.

A call to my contractor
And he’ll do some measuring for me.

A little bit of work in SketchUp
And they’ll be a virtual drawing for me.

A couple of weeks of sawing and hammering
So they can fit on the shelves neatly, for me.

Then you can call me keeper of books.
Shelves of books, as far as the eye can see, for me.