 I don’t often review middle grade here (I don’t often read middle grade, either), but I’m making an exception for this book because it was so good. It also felt more borderline lower-YA to me.
I don’t often review middle grade here (I don’t often read middle grade, either), but I’m making an exception for this book because it was so good. It also felt more borderline lower-YA to me.
It’s 1947 right before the British were to leave India and Nisha and her twin brother Amil live with their Hindu father and his mother in far northwest India. Their Muslim mother died in childbirth. But when the leaders decide that the best solution is to split the country into two, Pakistan and India, they find themselves in the wrong place for their father’s religion. Their father is a doctor so they live in a nice house, but eventually he decides that it’s more dangerous to stay and they leave on foot, heading toward the border.
For those who don’t know, Indian Partition was a horrible, bloody, and shameful time in South Asian history. In the Punjab regions of both Pakistan and India, Hindus, Muslims, and Sikhs were all killing each other over nothing, really. They killed each other because others had killed their families. Muslims would stop the trains heading south from Pakistan and massacre people, and Hindus would stop the trains heading north into Pakistan and massacre people. People of the “wrong” religion who stayed put in either East or West Punjab were also killed.
Nisha was given a diary and started writing letters every night to her mother about her day in them. So we see her account of everything leading up to their departure, and what they go through trying to make it to new India. She’s a wise and observant girl, shy with strangers and desperate to know more about her mother. It’s impossible not to like her, or her brother, who struggles in school but is a talented artist (as was their mother).
This is a really moving book that teaches about a significant point in history without being preachy. Nisha asks important questions that will make readers think. I highly recommend this for fans of middle grade in general, but I also think it will appeal to those who like historical fiction in general.
 The premise of this novel is amazing. This is the magical kingdom where Cinderella found her Prince Charming, 200 years later—except everything is not all unicorns and rainbows. The current king has maintained the tradition of every sixteen-year-old girl going to the annual ball to get “selected” by the men from the kingdom. If they don’t get picked, they have to go back the next year and then the next, and if they don’t get selected by then, they’re “forfeit.” It isn’t clear to people what that means, exactly, but it’s not good. And the girls are supposed to go all out for the ball—actually, they’re supposed to be visited by the fairy godmother, if they’re "lucky" enough. But in reality, parents spend loads of money they don’t really have on dresses and everything so their daughters can be competitive at the ball. So that’s the basic setup—with a sexist medieval Western European-flavor. But there is a lot more going on than the characters know about.
The premise of this novel is amazing. This is the magical kingdom where Cinderella found her Prince Charming, 200 years later—except everything is not all unicorns and rainbows. The current king has maintained the tradition of every sixteen-year-old girl going to the annual ball to get “selected” by the men from the kingdom. If they don’t get picked, they have to go back the next year and then the next, and if they don’t get selected by then, they’re “forfeit.” It isn’t clear to people what that means, exactly, but it’s not good. And the girls are supposed to go all out for the ball—actually, they’re supposed to be visited by the fairy godmother, if they’re "lucky" enough. But in reality, parents spend loads of money they don’t really have on dresses and everything so their daughters can be competitive at the ball. So that’s the basic setup—with a sexist medieval Western European-flavor. But there is a lot more going on than the characters know about. This time I’m reviewing a nonfiction book, something I don’t do very often. But I devoured this one. It tells the story of an attack on an agender teen by a Black teen on a bus in Oakland, California, and the aftermath. But it delves into the lives of both teens as well as the justice system and provides a really objective view of all the issues surrounding the attack.
This time I’m reviewing a nonfiction book, something I don’t do very often. But I devoured this one. It tells the story of an attack on an agender teen by a Black teen on a bus in Oakland, California, and the aftermath. But it delves into the lives of both teens as well as the justice system and provides a really objective view of all the issues surrounding the attack. I don’t remember how I found out about this book, which originally came out in 2014, but I’m glad I did. As I’m starting to explore suspense in YA more, this is a perfect thing for me to read. I saw it compared to a Harlan Coben book, and having just read my first Coben book, I can say the comparison is apt.
I don’t remember how I found out about this book, which originally came out in 2014, but I’m glad I did. As I’m starting to explore suspense in YA more, this is a perfect thing for me to read. I saw it compared to a Harlan Coben book, and having just read my first Coben book, I can say the comparison is apt. I've had this book a while and finally got around to picking it up. And I have to admit after reading it that I think it would work better as a produced play than a script (I was thinking that myself, but a friend of mine read the book and felt meh about it, but then saw the play and said it was awesome), but I still enjoyed the story.
I've had this book a while and finally got around to picking it up. And I have to admit after reading it that I think it would work better as a produced play than a script (I was thinking that myself, but a friend of mine read the book and felt meh about it, but then saw the play and said it was awesome), but I still enjoyed the story. I read this sharp Pride and Prejudice remix quickly because it really sucked me in.
I read this sharp Pride and Prejudice remix quickly because it really sucked me in. I rarely review books here that aren’t YA, but I enjoyed this one and think some of you might, as well. This is a rare suspense novel set in India (at least it’s rare to me—when I think of suspense, it’s almost always with white characters).
I rarely review books here that aren’t YA, but I enjoyed this one and think some of you might, as well. This is a rare suspense novel set in India (at least it’s rare to me—when I think of suspense, it’s almost always with white characters). I was a little surprised to see a graphic novel by Laurie Halse Anderson, but of course I had to check it out. I'm not a superhero fan in general, but I sometimes make an exception for Wonder Woman. I'm glad I did this time. It was illustrated by an artist I wasn't familiar with, Leila del Duca, but she impressed me with her sharp style.
I was a little surprised to see a graphic novel by Laurie Halse Anderson, but of course I had to check it out. I'm not a superhero fan in general, but I sometimes make an exception for Wonder Woman. I'm glad I did this time. It was illustrated by an artist I wasn't familiar with, Leila del Duca, but she impressed me with her sharp style.

 I know this book came out a while ago (2006) and is a TV show now, but I picked it up based on a recommendation for my suspense/thriller class for my MFA. I’d obviously heard of it, but never read it.
I know this book came out a while ago (2006) and is a TV show now, but I picked it up based on a recommendation for my suspense/thriller class for my MFA. I’d obviously heard of it, but never read it. This is a light romance with two second-generation Indian-Americans dealing with being part of two cultures.
This is a light romance with two second-generation Indian-Americans dealing with being part of two cultures. This is another very quiet book from LaCour that punches you right in the heart, much like Hold Still. I’ve read some of her other books and enjoyed them (I’ve given each of them 5 stars on Goodreads, which I rarely do), so I expected to like this one. I did— it got another 5-star rating.
This is another very quiet book from LaCour that punches you right in the heart, much like Hold Still. I’ve read some of her other books and enjoyed them (I’ve given each of them 5 stars on Goodreads, which I rarely do), so I expected to like this one. I did— it got another 5-star rating. The title of this book pretty much tells you what it’s about: bullying. But it’s about more than that, too, and it didn’t feel like an issue book to me.
The title of this book pretty much tells you what it’s about: bullying. But it’s about more than that, too, and it didn’t feel like an issue book to me. If you know anything about this book, you know it’s important. Anderson has already written one important novel about sexual assault—Speak—but this is her far more personal memoir, written both to explain how she came to write Speak and simply tell her story. In SHOUT, she writes in verse, which made me wonder how I could possibly read it. Although I know this is weird, any time I see poetry, I get all anxious and can’t pay any attention to what I’m reading. So I had concerns. But then I found out there was an audiobook version—read by Anderson herself—so I checked that out and started listening. It didn’t sound like poetry; instead, it sounded just like someone telling a story, which made it completely accessible to me.
If you know anything about this book, you know it’s important. Anderson has already written one important novel about sexual assault—Speak—but this is her far more personal memoir, written both to explain how she came to write Speak and simply tell her story. In SHOUT, she writes in verse, which made me wonder how I could possibly read it. Although I know this is weird, any time I see poetry, I get all anxious and can’t pay any attention to what I’m reading. So I had concerns. But then I found out there was an audiobook version—read by Anderson herself—so I checked that out and started listening. It didn’t sound like poetry; instead, it sounded just like someone telling a story, which made it completely accessible to me. I’ve been reading a lot more YA suspense lately, partially because there’s more of it coming out, and partially because I’m interested in trying my hand at it at some point.
I’ve been reading a lot more YA suspense lately, partially because there’s more of it coming out, and partially because I’m interested in trying my hand at it at some point.