Review: Cures for Heartbreak by Margo Rabb

Cures for Heartbreak book coverI’ve already reviewed Rabb’s other book, Kissing in America, which I really liked. So I had high expectations for Cures for Heartbreak, her first.

This book is relatively compact, with a lot packed into only 230 pages. At the opening, fifteen-year-old Mia’s mother has just died twelve days after receiving a diagnosis of melanoma. Mia is heartbroken because the two were very close. Mia and her older sister fight all the time instead of providing comfort to each other. Rabb effectively shows Mia’s bereavement and her acting out in ways the reader can understand. Then Mia's father has a heart attack, which he survives, but it ushers in new hospital time. Mia is still trying to recover from her mom’s death all while dealing with everything else a teenager has to deal with, especially school and (sometimes inappropriate) crushes, and now she has to worry about her father, too. The book’s really about Mia coming to understand that love is complex and that it isn’t lost when you find a way forward.

Mia’s a very well portrayed character—authentic and compelling. We see her father through her embarrassed and frustrated eyes, and he’s a good character too. They get closer after her mom’s death and her older sister’s departure, with their weekly trips to Wendy’s. Of course the writing is also lovely, evocative and full of moving details.

I’d recommend this to anyone who enjoyed Kissing in America (though that one is a little funnier than this one) or who likes to see portraits of people dealing with grief in the best way they can.

Review: The Earth, My Butt, and Other Big Round Things by Carolyn Mackler

The Earth, My Butt, and Other Big Round Things book coverThis book originally came out in 2003, but Mackler revised it in 2018. She didn’t make major changes, but did upgrade it to fit with today’s technology a little better. One of my writing friends recommended the book to me because of the kissing in the beginning (it was relevant to a story I was writing). I’m glad she did, because I quite enjoyed the book.

Virginia is a fifteen-year-old fat girl who feels like a failure next to her perfect family. On top of that, her best (and only, really) friend moved across the country for a year. And she’s got this weird kissing thing going on with a boy (rather unfortunately) named Froggy. Her mom is pressuring her to lose weight. After her perfect brother—the one she’s always looked up to and loved tremendously—does something truly awful, she has to reevaluate everything about him and their relationship. This causes lots of additional stress in her life. The possibility of a trip out to see her best friend makes everything seem bearable again—until her mom nixes that. Virginia has a lot of things to figure out, and I think she does a great job of doing just that. She’s kind of remarkable—despite all the things going against her, she maintains a reasonably positive attitude. (And it’s believable even to grumpy old me.) One exchange Virginia has with her dad (after he tells her it looks like she’s lost weight) near the end of the book made me particularly happy:

“Dad? We’re trying to be more open with each other, right?”

Dad nodded, but his forehead was wrinkled in confusion.

“Then I have to tell you that I’d rather you don’t talk about my body. It’s just not yours to discuss.”

Overall, the book has a good message about body image and other issues important to girls. I’d recommend it to anyone interested in a fun read that still manages to be quite substantive. There's even a sequel I'm going to check out.

Review: Zombies Vs. Unicorns edited by Holly Black and Justine Larbalestier

Zombies Vs. Unicorns book coverThis is fun collection of mostly urban fantasy stories centering on (duh) zombies or unicorns. It is framed as a competition between the two editors, where Team Zombie is led by Justine and Team Unicorn by Holly. There are twelve stories in the collection but I was only able to read ten of them due to a weird printing error (pages from one story later in the book replaced pages in two other stories earlier in the book). Not sure how that happened with a major publisher like Simon & Schuster, but okay…

The first story is “The Highest Justice” by Garth Nix, on Team Unicorn. It’s a fairly simple fantasy story about a princess being given what’s rightfully hers with the help of a unicorn dispensing justice.

“Love Will Tear Us Apart” by Alaya Dawn Johnson is the first Team Zombie story. It’s about a zombie named Grayson who’s got a big crush on a boy named Jack. There are some pretty funny moments in it. When he’s talking about how he doesn’t know who he was before he caught the prion that makes him a zombie, he says about the prion:

That means it has to be drunk, snorted, dripped, or anally inserted. Yeah, I don’t want to know what the fuck I was doing either.

The story’s told mostly in second person (“you”), which I am not a fan of. (Actually, it drives me crazy and I sort of hate it. But I didn’t hate this story, mostly because it moves at a fair clip.)

The next story is “Purity Test” by Naomi Novik, a unicorn one. It’s also funny. An evil magician has been kidnapping baby unicorns and an adult unicorn is on the hunt for a virgin to help stop the bad guy.

The next two stories—“Bougainvilla” by Carrie Ryan and “A Thousand Flowers” by Margo Lanagan—are the ones that got the pages from another story dropped in the middle of them. So I can’t say anything about them.

“The Children of the Revolution” by Maureen Johnson is another zombie story. It too is funny (this is a theme for much of this collection). In this one, a college girl dreamily follows her boyfriend to England to pick berries only to find that this is backbreaking, soul-destroying work. After he abandons her for the greener pastures of London, she ends up getting a gig babysitting some weird kids. Some very weird kids.

“The Care and Feeding of Your Baby Killer Unicorn” by Diana Peterfreund gives an interesting take on unicorns. Maybe they’re not what they’re supposed to be—maybe they’re vicious killers. But what about a baby one?

“Inoculata” by Scott Westerfeld is another zombie story. A few years after the zombie apocalypse, some teenagers are bored living with each other and a handful of adults, running pointless drills to stay prepared. So one of them figures out a way to make things more interesting—for both the kids and the zombies.

The next story is “Princess Prettypants” by Meg Cabot and it has the honor of being my favorite story in the collection because of its humor. A seventeen-year-old is given a unicorn for her birthday and doesn’t know what to do with her—until she figures out a perfect way to use her, to great effect.

“Cold Hands” by Cassandra Clare has a slightly different take on zombies (the book says it’s like the voudin tradition of the possessed dead) that leads to a very different love story.

Kathleen Duey’s “The Third Virgin” takes a dark look at the downside of being a unicorn with healing powers. It’s told from the perspective of a unicorn who just wants it to all be over.

“Prom Night” by Libba Bray is definitely the most haunting in the collection, ending with a surprise for the reader and a promise of an unpleasant surprise for the characters.

A lot of these stories are fairly long, but they also are pretty deep. They explore different themes and in the end, I can’t say whether zombies or unicorns won. That will have to be up to you. But if you like fantasy/dystopian, you might enjoy this collection even though it’s almost ten years old.

Review: I Am Not Your Perfect Mexican Daughter by Erika L. Sánchez

I Am Not Your Perfect Mexican Daughter book coverThis is a really interesting and unique book. It’s steeped in Mexican-America culture, but not really in a positive way—the main character, Julia, basically hates every aspect of it. To me this was interesting because one of the reasons she hates it is that she can’t navigate it well—she’s socially awkward, but not in the “standard” way (at least this was my take on it). No, she says and does the wrong thing for her culture, which might be okay in white American culture (though definitely not always).

The book opens just after Julia’s older sister, Olga, was killed when she accidentally walked in front of a moving semi. Julia is of course upset by this even though they weren’t particularly close anymore. But what has a more direct impact on her life is the way her family is handling it—her mother has completely withdrawn and her dad is as silent as he ever was. What’s more, Julia figures out that there was more to her sister than anyone thought, but she can’t figure out what was going on.

As things get back to normal, we can see that Julia’s still not okay, but it becomes clear that it’s not really about her sister. Her mother is incredibly controlling and doesn’t let Julia do much of anything. She’s supposed to want to stay home like any good Mexican daughter should want (and like her sister). But Julia’s “different”—as her mother puts it when she’s being nice about it—and wants other things out of life. First, she wants to be a writer and has befriended her English teacher, who thinks she’s one of his best students ever. She wants to go to college. She wants to go to an occasional party and maybe have some friends, even though she’s as awkward about that as she is with her family. Her mom doesn’t want any of those things for her.

One thing I have to mention is that Julia isn’t necessarily very likable. She’s not nice or very appreciative of the people around her and she generally says what on her mind without thinking much about it first. But as I’ve said here, she’s an interesting character and I did care about what happened to her because in some ways she's making the best of a bad situation (one that's bad for her, not necessarily everyone).

I think this is an important book because it teaches about a culture in a way that doesn’t sugar-coat things. It also addresses depression (which I didn’t expect, honestly—I knew we were skirting the topic but I thought that’s all we’d do). Julia’s a character worth getting to know, even if you’re not going to necessarily want to be her friend.

Review: Cut by Patricia McCormick

Cut book coverThis short book first came out eighteen years ago but it’s still relevant today. It’s (fairly obviously) about a girl who cuts herself.

The book starts with Callie in the hospital—a mental ward—sitting with her therapist. Pretty quickly, we learn the circumstances of when she cut herself for the first time. And then we learn that she’s not speaking, at all. She has to go to these group therapy sessions with other girls who are there for different reasons—some have eating issues, some drug issues. So, very early on we’re set up to wonder why she’s cutting herself, if she’s going to talk, and what’s going to happen with her group.

McCormick obviously did her research on cutting and what drives people to it. She portrays Callie sympathetically without romanticizing cutting in any way. And she addresses how cutting can make people feel better at times but shows how that’s a fleeting thing. And it stops working:

The pain is so sharp, so sudden, I catch my breath. There’s no rush, no relief. Just pain, a keen, pulsing pain… It’s never hurt like this before. And it’s never not worked.

Callie is shown to have depth even though we don’t really get to know her reasons for cutting any sooner than the therapist. The other girls are portrayed realistically, too, and there’s an interesting subplot involving one of the anorexic/bulimic girls. And even though we see her brother Sam only once in story time, he is a good character and critical to the story.

Check this one out if you’re up for a short but deep portrait of a troubled teen.

Review: Almost Love by Louise O’Neill

Almost Love book coverAlthough I generally review only YA books here, I’m making an exception this week. Not because it’s St. Patrick’s Day and this book is by an Irish writer, but because Louise O’Neill is one of my favorite authors even though she hasn’t written that many books—I’ve read her other three, all of which are YA (and all of which I’ve reviewed here). Almost Love is about a woman in her mid-twenties and almost has the feel of New Adult, but not quite.

O’Neill is clearly great at creating main characters who aren’t really likable but who you still care about, as she does this in Almost Love like she did in Asking for It. Almost Love tells two parallel stories from Sarah’s life—one when she twenty-four and another three years later. In the “then” timeline, she’s recently graduated from Dublin Art College and is living with some of her buddies from school, including Fionn, who’s basically her best friend in Dublin. She’s from the Tipperary area and has friends back there, but she hardly ever goes home. Fionn is already becoming a semi-famous up-and-coming artist in Ireland and Sarah feels inferior and never works on her art anymore. She’s teaching school art and is still in the party mindset. But then she meets a student’s father and soon they begin a relationship that is doomed from the start, even though she doesn’t see it.

In the “now” timeline, she’s living with her boyfriend Oisín, who’s mother is a very famous and rich artist. Sarah’s still friends with Fionn but we know that she did something horrible in the earlier timeline that has strained their relationship. She also is still unable to make any art even though she’s still teaching it. Sarah was happy with Oisín in the beginning but there are seeds of trouble now and it’s not clear how things will go.

Sarah really isn’t a nice person. She’s self-absorbed and a pretty terrible friend and girlfriend. She’s also clearly a little depressed and feeling inferior to the important people around her, so she’s not a great joy to be around for the reader. However, despite all that, I still really wanted to see how things worked out with her. When she becomes obsessed with the student’s father and lets him mistreat her, I kept wondering if she’d finally see how horrible he is or if he would destroy her in the end. And I really hoped things would work out with Oisín because he seems like a really nice guy.

O’Neill is great at getting into her protagonists’ minds, and she does it here, too. We see Sarah change, and not always in a good way, and understand her bad choices even if we’re screaming at her to make different ones. And of course this is a feminist book, with several good lines that I really like. Here are a couple:

Being admired by him didn’t feel like when other men would look at her, teeth bared as if they wanted to devour her. Smile, love, men would shout as she passed them on the street. You’d be so much prettier if you smiled, as if performance of joy was the price Sarah had to pay for existing in a female body in a public space.

and

Maybe men didn’t want women to be funny, not the women they were having sex with anyway. Sarah suspected that men wanted a girlfriend to be ‘fun’, which seemed to mean she should find them funny and laugh at their jokes, never making any of her own.

If you’ve read O’Neill’s other work and like it, you should check this one out. It won’t disappoint. And if you’re new to her but like slightly challenging books, you should try it, too.

Review: The Radical Element (A Tyranny of Petticoats, #2) edited by Jessica Spotswood

The Radical Element book coverThis book is a collection of short stories set in various points of US history ranging from 1838 to 1984. The stories are all about girls bucking the system in some way, but those ways vary widely over the book. The stories are all realistic except for a couple that have some magical realism elements. The stories also run the gamut on the diversity spectrum, including girls of several different religions, several protagonists of color (and different ethnicities, too), at least one lesbian, one character in a wheelchair, and another on the autism spectrum.

“Daughter of the Book” by Dahlia Adler is about a Jewish girl stuck in Savannah, Georgia in the mid 19th century, where she’s forbidden to do the one thing she really wants to do—study. She’s restricted by both societal expectations—she should be sewing etc.—and actual religious limitations—women and girls were not allowed to study the Talmud, which is what all the men and boys around her were studying. I could definitely relate to her desire to study and would have felt as stifled as she did if I’d been in her situation, but the devotion to religion is definitely not something I relate to. Still, I enjoyed it.

The second story is “You’re a Stranger Here” by Mackenzi Lee. This one is about the early days of the Mormon community, starting right after Joseph and Hyrum Smith were killed when the Mormons were in Nauvoo, Illinois. The main character works as a printer’s apprentice and she has to protect the original Book of Commandments. It’s an interesting story about a Mormon teen not entirely sure about her community and what she does for it, anyway.

“The Magician” by Erin Bowman is about a girl in the wild west of 1958. She’s masquerading as a boy and has become a card shark, getting all the newcomers who came to town. She doesn’t know her history but has an enigmatic note that leads her to believe she might have family in California. The story’s about how she’s going to get there.

The next story is “Lady Firebrand,” written by Megan Shepherd and set during the Civil War.  The main character is in Charleston, South Carolina visiting relatives. Unbeknownst to the confederate family, she’s not just some “pitiful girl” in a wheelchair. No, she has real skills and puts them to use at night disrupt shipments of commodities. She can’t do it without the help of her free black maid, however. This was one of my favorites of the collection.

Next comes “Step Right Up” by Jessica Spotswood. It’s set in Tulsa, Indian Territory (this was pre-statehood for Oklahoma) in 1905. The main character dreams of joining the circus as a high-wire walker and needs to make it happen because of family issues. I liked this one, too, even though the circus is historically sort of evil.

“Glamour” by Anna-Marie McLemore is set in LA of the 1920s. It’s an interesting one that uses a small dose of magic to make a point about the rampant racism of LA then (and hints to now). The main character is desperate to be one of Hollywood’s stars, but she’s Mexican so that would never fly. She uses some family magic to glamour her face so she looks white but has to deal with the consequences.

The following story is “Better for All the World” by Marieke Nijkamp. This one’s set in 1927 in Washington, D.C. It features a girl who’s clearly on the autism spectrum who wants to become a lawyer. It starts with her attending a trial over the forced sterilization of a woman deemed mentally deficient and identifying with the woman because of her own “differentness”. So it’s personal, but she’s also interested in the proceedings. She meets a young man at the court and he challenges her (though she challenges him right back).

“When the Moonlight Isn’t Enough” by Dhonielle Clayton is the other story that uses magical realism. The premise is that the main character and her family have eternal life by consuming moonlight. But she’s not sure that staying under the radar is the right thing to do since it’s the middle of World War II. They are black and her family feels like there’s no reason to get involved in a war when America treats black people so badly. She has to decide what to do.

“The Belle of the Ball” by Sarvenaz Tash is set in Brooklyn in 1952. The main character dreams of becoming a humor writer even though that’s no easy task for a girl of that time (or of any time, really). The story is steeped in I Love Lucy references, which I’m sure some people will love (they went over my head). The main character’s mom is set on her being presented at a debutante ball. So she has to go through all that, but it doesn’t keep her from seizing an opportunity to get noticed as a writer.

The next story is “Land of the Sweet, Home of the Brave” by Stacy Lee, which is set in Oakland, California in 1955. This one deals with a girl from Hawaii who is of mixed descent, including Chinese and Japanese. She is going to audition to be the face/mascot of a sugar brand even though she knows what she’s going to face in terms of overt racism.

Fast forward to the early 1970s for “The Birth of Susi Go-Go” by Meg Medina. It’s set in Queens and features another stifled girl with a conservative mom. She’s dreading the upheaval that will happen when her grandparents arrive from Cuba. But she ends up using that moment to redefine herself instead of getting shoved to the side like she feared.

“Take Me With U” by Sara Farizan is about a teen girl from Iran staying with family in Boston during the Iran-Iraq war in the 1980s. She feels so out of place and just hangs out with her six-year-old cousin. She meets a hip girl from an upstairs apartment and gets introduced to all kinds of music and it really opens up her world in ways she’d never have expected. This ended up being one of my favorite in the collection, too.

Overall this was an enjoyable book with a bunch of very different stories. But they all remind us of how much we share in common despite the time period and who we are. If you’re a fan of historical YA or YA short story collections, this one should make you happy—especially if you like to see girls empowering themselves.

Review: Darius the Great Is Not Okay by Adib Khorram

Darius the Great Is Not Okay book coverDarius the Great Is Not Okay is a unique book. Darius is an American kid whose mother is from Iran and whose father is Teutonic stock, and he is under treatment for depression. You don’t see a lot of YA featuring boys of color with depression, so I was curious to see how this one would play out. Also, most of the book is set in Iran, which is cool—I’ve only personally encountered one other YA book set there (not that I’ve looked extensively, but still).

Darius doesn’t fit in in Portland, Oregon and feels second-rate even in his own home. He does have an eight-year-old sister he adores, but his relationship with his father is rough. It’s clear from the very beginning that that causes him the most grief. Almost as soon as we’re first introduced to his father, Darius refers to him by his first and last name—Stephen Kellner—which is jarring. But he does this repeatedly, making it clear that he feels distant from his father.

In addition to things being difficult with his father, Darius has a bully (who also gets the first/last name treatment). He has one friend at school, a Persian girl. But she’s full-Persian rather than being “Fractional” as he thinks of himself, so he feels less than her. Interestingly, Darius has been on medication for depression since he was twelve, and that doesn’t seem to faze him much. He’s not 100% comfortable with it, but it doesn’t bother him as much as the other things do. His father also has to manage his own depression, so they’re very matter-of-fact about it. (I should mention that the depression representation is very good.)

Darius has a Skype relationship with his family back in Iran. But when it becomes clear that his grandfather’s brain tumor is getting worse, his family decides to visit the country for the first time. This is when the story really gets started—it’s the first time he really feels at home, after meeting his family and becoming friends with a boy named Sohrab from down the street, but he still has a lot to learn about his family, friendship, and himself.

Sohrab is a great friend to Darius and the two of them really bond. Darius spends most of his free time with him. It’s an interesting relationship from an American perspective, because Sohrab is very tactile. That’s realistic for a male relationship in Iran, even though it feels a little like there might hints of a romance between the two for an American reader. There are also hints that Darius’s “difference” might include being gay, but this never goes anywhere substantial, which made this a nice book about genuine friendship and family. Iran turns out to be where Darius finds himself and finally comes to an understanding with his father.

If you want a book about depression, or one about a kid who doesn’t fit in, or one about a half-Iranian kid going to Iran for the first time, etc. try this one out. All in one package. It’s very good.

Review: Essential Maps for the Lost by Deb Caletti

Essential Maps for the Lost book coverI’ve read a couple other books by Deb Caletti and liked them both. One thing I noticed is that the two I read (Stay and The Nature of Jade) were different from each other. So I didn’t know what to expect when I picked up Essential Maps for the Lost. I heard Caletti speak about this book with E. Lockhart last year at a library event so I knew it had something to do with mental illness, like both of the others I read. But the interesting thing is that I found this book very different from the other two. It felt more more literary, for one (not that the other two weren’t but this one seemed more so)—maybe even a little ethereal. I read it for my MFA so I had to study it after my first read through. On my first read, I actually found myself a little confused because there were a lot of characters and we were really deep in both of the main characters’ heads. But as I read through it a second time, everything seemed obvious and clear, so perhaps I just wasn’t paying full attention the first time I read it. Who knows.

The novel is about Mads and Billy. Mads is an eighteen-year-old living with her uncle in Seattle while she completes her realtor course so she can get certified and go into business with her mom back in eastern Washington. One morning she goes for a swim in Lake Union and stumbles across a dead body. The dead woman committed suicide by jumping off the Aurora bridge and it turns out she has a son—Billy. Mads becomes a little obsessed with finding out everything she can about the woman and her family, which ultimately results in Mads semi-stalking Billy (watching his house from the car and so on). The two of them meet in a kind of random way and they would not have talked again except for the fact that Billy dropped a map he carries around and Mads decides to return it so she finds him again. The two of them bond over what that map represents—the classic children’s book From the Mixed-Up Files of Mrs. Basil E. Frankweiler by E. L. Konigsburg—because they both love it. For Billy, it represents a connection with his mom, and for Mads, it represents where her love of reading started.

As I mentioned, the book deals with mental illness. Obviously Billy’s mom’s suicide is part of it, but the more significant part is that Mads is dealing with depression made worse by the stifling future she sees for herself because of her obligation to her mother. There are some deep moments in the book relating to depression. For instance, Billy thinks,

depression can be a monster only felled by the most epic weapons. It’s a bully that winches your arm behind your back when no one is looking, that wears you out, and shouts stuff that sounds romantic but is never, ever romantic

Overall, I liked to book and found the story moving. If you’re in the mood for a more literary book than most YA today, give this one a try.

Review: Geektastic: Stories from the Nerd Herd edited by Holly Black and Cecil Castellucci

Geektastic book coverI am still studying short stories for the MFA, and this was one of the few YA collections I’ve been able to find. So I wasn’t expecting too much—but it turns out the book is pretty awesome. I really liked several of the stories. A few were a little on the bland side, but there was only one that I didn’t care for. None of this should come as a big surprise given the names of the authors in this collection. Though the book’s 9 years old so it predates some of their biggest stardom (John Green, Cassandra Clare, and Holly Black especially).

The first story, “Once You’re a Jedi, You’re a Jedi All the Way” by Black and Castellucci, is a love story between a Klingon and a Jedi at a con, which is a giant sin if you didn’t know. They wake up together and the Klingon is mortified that she’s apparently slept with a “[f]orce-feeling, Padawan-braid-wearing, lightsaber-rammed-up-his-ass Jedi.” It’s a cute story full of classic geekery.

The next story is “One of Us” by Tracy Lynn. This one’s about a cheerleader who gets voluntarily schooled in various aspects of geek culture by four geeks with different areas of interest who hang out in the media room at school. She’s trying to become more knowledgeable in geek culture to understand her boyfriend better. But it’s a nice story that ends with an unlikely friendship.

“Definitional Chaos” by Scott Westerfeld is a punchy story about a guy who needs to get a briefcase full of cash to Florida from… some place far from Florida (I can’t remember). It’s for a legitimate reason but he gets a helper in the form of his ex-girlfriend, who he still has some animosity for because she killed him in an online game they played. This one delves into the combinations of good vs. evil and law vs. chaos and what it means to be certain ones. The only thing they can agree on is that the girlfriend is chaotic. It wasn’t my favorite story but it was good.

I really liked Cassandra Clare’s story, “I Never.” It’s about a very shy girl who’s been playing Catherine Earnshaw from Wuthering Heights in an online game where the players impersonate fictional characters from (other) games, movies, TV shows, and books. They group is having a big gathering. So the characters are playing fictional character while also “playing” themselves. Jane only got involved in the game at the prodding of her friend. But in the process, she met a boy who’s playing Heathcliff. He’s the primary reason she has come to the gathering, because she thinks they have a special connection. But things don’t go like she expects at all. It’s a nice story, if one of the longer ones in the collection.

Next up is M. T. Anderson with “The King of Pelinesse.” This one’s about a boy who makes a long bus journey to meet a man who is both his idol (as the author of some pulp fantasy novels) and also someone who his mother once knew and apparently despises. There’s a mild twist at the end that I enjoyed.

I think my favorite story in the collection is “The Wrath of Dawn” by Cynthia and Greg Leitich Smith. This is probably because it’s all about Buffy, which is my biggest fandom (I’m not much of a popular culture geek at the moment). It’s about two new stepsisters who go to a Buffy Sing-Along along with another guy who’s supposed to be the main character’s date. But he mocks her for being named Dawn since Dawn on the show is one of the more despised characters. Dawn of the story mounts a strong defense for Dawn of the show.

“Quiz Bowl Antichrist” by David Levithan is about a boy who’s the token English geek on his school’s quiz bowl team. The rest of the team handles the scientific and technical stuff. They make it to a national competition, where tensions mount and unpleasant things get said. It has a happy ending, as you’d expect from Levithan.

The next story is “The Quiet Knight” by Garth Nix. Tony’s a LARPer and plays a knight who doesn’t speak, because in real life Tony’s voice is odd because he damaged his throat and larynx by drinking bathroom cleaner when he was a kid. He’s very self-conscious about it and pretty shy, but he finally connects with someone he meets at a LARP event when they run into each other later. It’s short and sweet.

“Everyone But You” by Lisa Yee is about Felicity, a girl from small-town Ohio who has always defined herself by her excessive school spirit and her baton twirling skills. When her mom moves them to Hawaii, Felicity’s baton isn’t accepted with the same admiration by the local students. She becomes the butt of every joke and has to figure out a way out of the mess.

Kelly Link’s “Secret Identity” comes next. This one’s about a teen girl who’s been talking to an older man online. It’s told after some events that occurred when they had arranged to meet up at a hotel. It’s told in second person, like she’s writing a letter to the guy, which I’m not generally a fan of. The story’s interesting enough, though, if quite long. Not too geeky, however.

John Green’s “Freak the Geek” is about a couple of girls who get targeted in an annual prank against the geekiest girls at school. It tests their friendship. It’s not a bad story, but it doesn’t live up to any of his novels.

The next story is the one in the collection that I actually sort of disliked. I’ll explain why. It’s “The Truth About Dino Girl” by Barry Lyga. The setup is actually pretty good and I liked that—the main character is obsessed with dinosaurs and has a new obsession—a guy named Jamie. The problem is Jamie’s girlfriend Andi, first for being the girlfriend and second for being a bitch. It’s a revenge story and I thought the revenge was over-the-top. I won’t give it away, but I just don’t really approve…

“This is My Audition Monologue” by sara zarr is another second-person story. It’s about a girl and her attempt to both get a part in the school play and also simply be memorable. I didn’t love it either—I couldn’t really get into the character but theater geeks probably will appreciate it.

“The Stars at the Finish Line” by Wendy Mass is the next one. I quite liked it. It’s another love story, with an astronomy theme this time. Peter’s had a crush on Tabitha since fourth grade, when he also inadvertently set off a long-term competition between the two of them, even though there’s no real competition—she’s the smart one who really will become an astronaut. He ends up teaching her about observational astronomy, one thing she doesn’t know, and they bond.

The last story is “It’s Just a Jump to the Left” by Libba Bray. It’s about a pair of eight-grade best-friends who are starting to grow apart. The background is The Rocky Horror Picture Show, something the two of them have attended every Friday night for ages—until Agnes ditches Leta for a boy. The rest of the story is about Leta’s quest to grow up, too, while not losing Agnes as a friend.

That’s a pretty thorough overview of the collection. Like I said, I thought it was overall very good and I’d recommend it if you’re a fan of YA.

Review: Juliet Takes a Breath by Gabby Rivera

Juliet Takes a Breath book coverJuliet Takes a  Breath was recommended to me by a friend for being something you see very little of. It is about feminism for queer brown girls, with white feminism and privilege being criticized freely and often. So, as a white person, it can be hard to read. Much of the criticism makes sense; some of the things that the white women in the book do are realistic and I can see how they’re irritating or worse, even when they’re well-intentioned (though not all the instances in the book are). Despite the general sense of uncomfortableness that surrounded me while I read it, I liked it and found it engaging.

Juliet is a short, chubby puertorriqueña from the Bronx. She has just finished her first year of college and now has a white girlfriend she’s in love with. She has decided to come out to her family at the dinner table the evening that she’s leaving to start an internship for a feminist author in Portland, Oregon. She doesn’t know how it’s going to go and she’s distressed when her mom basically hides from her at the revelation. She leaves for her internship and is thrust into the wild world of Harlow Brisbane.

Harlowe’s the author of a famous (fictional) book of New Feminism called Raging Flower: Empowering Your Pussy by Empowering Your Mind, which has done well in certain circles. Not long after Juliet arrives, Harlowe gives her a seemingly impossible research task. Soon after, Juliet meets a male nudist in Harlowe’s house who makes her feel inferior in her queerness by asking challenging questions. She learns Harlowe’s in a polyamorous relationship with a black woman named Maxine and they all go to a writing event for women of color where white women are allowed to attend but not speak. Juliet doesn’t get why the white women must remain quiet until she overhears a couple of them talking.

From here, Juliet begins her research at the library and gradually gets exposed to more and more challenging and confusing ideas about gender, sexuality, race, love, and more. There is a crisis with Harlowe where she does something that makes Juliet feel objectified and Juliet flees to be with her older and wiser cousin in Florida. The cousin helps her finally start to understand all the confusing ideas she’s been bombarded with in Portland. Juliet comes back armed with knowledge and we see her come into her own with the women around her.

As I mentioned, the book will be challenging for white readers but still very much worth the read. But it’s not written for white people; it's for for young queer people of color and it will ring true, I am sure. It was first published in 2016 in paperback by a small press but it looks like it’s being reissued in hardback in September, probably because it’s done relatively well. Check it out.

Review: Orphan Monster Spy by Matt Killeen

Orphan Monster Spy book coverThis is a book that came to me from one of those YA book clubs I belong to as I’d never heard of it. But I’m actually surprised there isn’t a little more hype around it because it’s very good and it’s got a believable badass girl in it. I guess historical fiction isn’t where it’s at right now.

Sarah is a 15-year-old blonde Jewish girl in 1939 Germany (actually I think Austria at the very beginning), which is not a good place for her. After a riveting opening scene where Sarah runs from the just-wrecked car her mom drove through a checkpoint, she makes a bold escape and encounters a man who becomes her “uncle.” He’s an English spy and has an assignment for her: become friends with a girl—Elsa—at an elite boarding school. Elsa’s father is considered a scientific mastermind and is working on the atomic bomb (they didn’t call it that yet, though—it’s “the grapefruit bomb” in the book).

Once Sarah—now Ursula—gets to the boarding school, she finds her task deeply difficult. There’s a social order at the school and she’s very much at the bottom and will have to fight her way to the top to get to the girl she needs to befriend. There are many, many obstacles in her way. One is her friendship with a girl they call “Mouse” for her meekness. More importantly, she’s got to impress the boss girl of the school’s tough-girl posse. Or fight her for the position. While in retrospect some of the middle of the book might have been dragged out longer than strictly necessary, overall I was completely pulled into the story and Sarah’s plight. Many times, her situation seemed impossible.

The characters in this book are solid. Sarah is very well-drawn as complex, sufficiently troubled for a girl with her experiences, and believably tough and up to the role. The spy who effectively hires her, Captain Floyd, is also a good character even though he’s not necessarily always likable. But he’s committed to his mission, which will ultimately help people like Sarah so we know he’s basically a good guy. Mouse is not deeply developed, but she’s perfect as a side character. Elsa herself is very flawed and her behavior seems a little weird until the full story comes out. So while she’s not super-developed, it works for the story.

The overall plot is also solid even if the middle is a little squishy (I just think some of the obstacles could have been removed/simplified, but that’s me). I also think the world building is done well. You really get a sense of Germany at the time.

The really fascinating thing about this book is that while it’s set against against Nazi Germany and the pending Holocaust, it’s really about something else altogether. This doesn’t become clear until very late in the book, but it’s been expertly set up. The author’s note at the end really highlights this. I don’t want to give it away, but one of his main points is that while people are quick to criticize the regular people of Nazi Germany for standing by and letting all the atrocities happen, we are standing by right now and letting everyday atrocities happen in our own countries. Just because these are smaller-scale doesn’t mean that we are any more excused for letting them happen.

Orphan Monster Spy is a very good book. If you enjoy reading WW II novels, this one will surprise you because it’s different. And if you’re not generally into that genre, consider checking it out anyway. It’s got a great message.

2018 in Review

One of the nice things about having a bad memory is that when it comes time to write an end-of-the-year post and look back on the year, the stuff that happened at the beginning of the year isn’t really that much more hard to remember than the stuff that just happened. Obviously I’m sort of kidding—it’s annoying even if it’s not unfair to the beginning of the year. 

This year, there were five books that really stood out to me. Three of them I read and studied for the MFA and the other two I’m planning to put on my list for next semester. 

Eleanor & Park has been one of my favorite books since I first read it back in 2013, I think. I reread it a few months ago and enjoyed every second of it again. If I could write like Rainbow Rowell, I’d consider myself There as a writer. I reviewed it in August. 

Louise O’Neill is one of my other favorite writers. This year, in June, I reviewed The Surface Breaks, which is a very feminist retelling of the Little Mermaid story. O’Neill manages to get her message mixed in with a very satisfying and engaging story every time. 

Girl Mans Up by M-E Girard is another great one to me. It was such a fresh story about a gender nonconforming girl who learns the value of female friendships over her bro relationships. I reviewed it in October. This is one I’m hoping my faculty mentor lets me put on my reading list for next semester. 

Another book that I adored and studied for the MFA was All the Bright Places by Jennifer Niven. This is a fantastic and tragic look at mental illness (undiagnosed bipolar disorder in this case). I really loved this book and happily reread it for the MFA. I reviewed it in January. 

The Weight of Zero by Karen Fortunati is second book on this list that takes a hard look at mental illness. This one doesn’t end sadly, however, but does explore bipolar disorder in depth. I really enjoyed it and reviewed it in April. 

Review: Aspergirls by Rudy Simone

I don’t often review nonfiction. But I thought it was worth it for this book, which could be relevant and helpful to a lot of teen girls (and adult women, for that matter) like me. I’ve never been diagnosed with Asperger’s*, but reading this makes it pretty clear that I’d qualify. In the past when I’ve looked at the symptoms lists, it didn’t ring true—but that’s because (like most everything in the medical community) they focus on how the condition presents in boys and men (you know, the default human). 

Simone’s book is comprised primarily of personal anecdotes from her and other girls/women with Asperger’s and her commentary on the significance of those. She also gives out quite a bit of advice. Near the end, the book started feeling a little pseudo-sciency to me, particularly when she gets into some of the stomach issues and how to deal with them, because she doesn’t do a thorough scientific analysis of it. This isn’t really meant as a criticism of the book as a whole; I just found that I didn’t put as much trust in that part (I am just very cynical when it comes to anyone recommending a certain diet). 

Aspergirls book cover

Since this is nonfiction, I’m going to go through the chapters and comment on each a little instead of giving a more general picture. Each chapter contains Simone’s anecdotes and commentary followed by Advice to Aspergirls and then Advice to Parents. For the purposes of clarity, I’ll use AS for Asperger’s syndrome and NT for neuro-typical, as Simone does. 

1. Imagination, Self-Taught Reading and Savant Skills, and Unusual Interests: Simone talks about how people with AS love information probably because it anchors our thoughts. A lot of AS girls teach themselves specific skills, even reading, and may have unusual abilities in certain areas (though this isn’t that common and it isn’t uncommon for AS girls to have learning disabilities, too). One thing that was particularly interesting to me is that autistic kids have been found to have higher fluid intelligence but not necessarily higher crystallized intelligence. Fluid intelligence is the ability to see relationships between things that aren’t obviously related. I do this all the time, sometimes confusing people with my connections. Crystallized intelligence is more traditional intelligence—the ability to learn stuff and use it. One really interesting point was that while many AS girls develop obsessive interests just like AS boys do, they tend to be in the domain of more acceptable things (books, art, music, animals, etc.)—all of which are “normal” for many girls. She says we “want to fill our minds with knowledge the way others want to fill their bellies with food” (p. 23). As someone working on her fifth degree with plans for a sixth, I can certainly relate to that. 

2. Why Smart Girls Sometimes Hate School: In a word, bullying. It is true that AS girls don’t have the social skills of NT girls. But even outside of that, most AS girls actually don’t love school despite having a love of knowledge. It’s too structured and doesn’t let us focus on the areas that interest us. Simon says that “Aspergirls do not thrive under scrutiny if it has the slightest bit of hostility in it” (p. 31). I can relate to this very well. I wither when people judge me, which I hate but I’ve never been able to get past this tendency. 

3. Sensory Overload: Simone points out that it’s not really true that AS people feel less, as was previously though, but that instead we feel things much more intensely. This is where sensory overload comes in. As people are often deeply disturbed by things other people don’t even notice. I know that the more people I’m around, the more uncomfortable I get—especially as the noise level increases. I hate sudden loud noises like balloons popping. Though I think I’m lucky because I don’t have too many sensory issues. A lot of AS people can be bothered by many sounds, sights, and even tactile sensations. 

4. Stimming, and What We Do When We’re Happy: I only heard of swimming fairly recently. It’s short for self-stimulatory behavior. This covers things like rocking, clapping, twirling, and hand flapping, all things AS people can do when they’re overwhelmed (and sometimes when they’re happy, too). I’m a chronic pen twirler. Not sure if it’s stimming or if it’s just a thing I do to help me think (I swear I think better with a pen in my hand). 

5. On Blame and Internalizing Guilt: We all know that boys and men rarely question themselves or blame themselves or internalize much of anything (other than “emotions other than anger are bad,” of course). This is one significant way AS girls are different from boys, because we do blame ourselves for our ”weird” behavior that we can’t control and subsequently start feeling guilty about it. But even more importantly, this blame often comes from external sources, when people think AS girls are behaving that way on purpose. 

6. Gender Roles and Identity: This was one of the most interesting chapters to me because Simone says that most AS girls don’t get gender roles and often shirk them. This is partially because we like to wear comfortable clothes (sometimes due to the skin sensitivity some of us have). But this also extends to identity in general, with a lot of AS girls being rather chameleon-like. Some simply don’t have much of a sense of self. I can certainly relate to this as I despise the expectations people have based on gender. It has always driven me crazy that while it’s fine to recognize there are differences between men and women, generalizations don’t apply in every single case.

7. Puberty and Mutism: This chapter touched on puberty, but was mostly about mutism. Mutism is the situation where an AS girl is simply unable to speak and often even think. I’ve been there before. It’s bizarre and frustrating. 

8. Attraction, Dating, Sex, and Relationships: I skimmed this chapter, but one thing I did get out of it was that while a lot of AS girls aren’t remotely interested in romance, others are. Those who are are prone to becoming obsessed with the object of interest and coming across as stalker-y. Another point is that because we don’t experience romance in the same way, many of us marry early or because it’s “time” rather than because there’s a real connection with the partner. Breakups are often worse for AS girls because of the break to a routine. 

9. Friendships and Socializing: It’s true that AS people tend to lack social skills, so common socializing is very difficult. But it also means that it’s hard to maintain friendships in general. 

10. Higher Learning: College is kind of a mixed bag. Some AS women do really well because of the routines, focus required, and opportunities for learning, but most others struggle with sensory overload and managing all the aspects of college life. Simone talks about the importance of trying to get assistance from the school (such as through the Office of Disability Services) if necessary, but also that many of the support services are very lacking and the people are often uninformed. 

11. Employment and Career: Simone says that a lot of AS women struggle in this area because of lack of education or qualifications. Additionally, getting jobs in the first place can be difficult due to the social skills problems. She emphasizes the importance of AS women trying to establish themselves in good jobs, especially since many stay single and can’t rely on someone else to support them.

12. Marriage and Cohabitation: I also skimmed this chapter because it isn’t relevant to me.

13. Having Children: Ditto.

14. Ritual and Routine, Logical and Literal Thinking, Bluntness, Empathy, and Being Misunderstood: Routine and even rituals are a way for AS girls to control the world around them as much as possible. Simone also talks about how literal thinking can sometimes make problems for us. I know for me that when I read, I’m very literal. Symbolism usually goes flying over my head and I cannot enjoy poetry. Bluntness is another area that can be a challenge. Simone points out that AS girls often feel misunderstood because whatever we said bluntly or understood literally was not intended to have the impact it did on the other person. 

15. Diagnosis, Misdiagnosis and Medication: A lot of AS women have never been diagnosed because the medical community is slightly clueless about AS in women, as opposed to men. Many AS women have been diagnosed with various mental illnesses and often prescribed medications based on that, when it completely misses the mark. Many women don’t find out they have it until their child is diagnosed. 

16. Depression Meltdowns, PTSD, and More about Meds: Apparently “meltdowns” are a common occurrence in people with AS. This chapter talks about depression ones. These are extreme depressions that take over an AS person’s life temporarily and can be caused by a variety of things. Simone does address the fact that AS people are prone to depression that can be treated by meds. 

17. Temper Meltdowns: This chapter is basically about the temper tantrums that AS people sometimes have. They can be triggered by almost any sensory overload and can manifest in many different ways. AS women are more prone to crying than men, but the meltdowns can be violent or just excessively phrased or acted out. However they occur, they are usually embarrassing after the fact and women especially are considered crazy, whereas men are more often forgiven. I can relate to this one, too, as (especially when I was younger), I would be triggered by something and be instantaneously overcome with this intense rage. I never was violent toward other people, but I destroyed plenty of my own things and also would say horrible things to people. All very humiliating. 

18. Burning Bridges: When you say horrible things to people, they don’t want to be around you. As mentioned earlier, a lot of AS women have trouble keeping relationships up and this can be extended to not just keeping them up but ruining them. But Simone also talks about how AS women “start over” repeatedly. Cut off all ties with the old life and start afresh. I can also relate to this one—over and over while I was in college I would decide it was time for a change and I would move, change jobs, and either go back to college or drop out of it. 

19. Stomach Issues and Autism: Apparently some people think that autism in general is caused by stomach problems during early formative months. There are also several diets that are supposed to help with autism. I’m a skeptic. 

20. Getting Older on the Spectrum: Simone talks about how most AS women stay single so money can be a challenge. So can loneliness and health problems. But otherwise, most stop caring as much about what people think of their unusual behaviors. But also, in some ways, older women are allowed to be more eccentric. 

21. On Whether Asperger Syndrome is a Disability or a Gift and Advice from Aspergirls to Aspergirls: I didn’t read this one because Simone started off by saying she preferred the term “differently-abled” over “disabled,” which I can’t stand. This seems to me like a term that non-disabled people have come up with to try to make disabled people feel better about themselves. I find this insulting. I mean, you should own it. 

22. Give Your Aspergirl some BALLS: Belief, Acceptance, Love, Like, and Support: I didn’t read this one either. 

23. Thoughts and Advice from Parents of Aspergirls: Or this one. 

There are also a couple of appendices which listed the symptoms of female AS and then the main differences between male and female AS. These are good. 

* Yes, I know it’s not technically a diagnosis anymore, but I think it is a different enough thing from more challenging cases of autism spectrum disorder, so it’s a valuable distinction. And people have a sense for what you’re talking about, even if they don’t get it exactly right. 

Review: Awakening (Monstress #1) by Marjorie Liu and Sara Takeda

I haven’t been reading a lot of graphic novels lately, probably because I’ve been on more of a contemporary kick and most graphic novels are fantasy or sci-fi. But this one caught my eye at Barnes and Noble because of the art on the front—and the cat I saw on the back when I turned it over. It comes highly recommended with two blurbs by Neil Gaiman as well as ones from EW and Cosmopolitan. 

Monstress Awakening book cover

Monstress is an epic steampunk story about a survivor of a devastating race war between humans and Arcanics. Seventeen-year-old Maika Halfwolf may have survived the war several years earlier, but that doesn’t mean she knows her past. It’s a mystery and she’s desperate to understand it, so she is searching for answers as the story opens. She kills a dangerous woman and steals something that belonged to her, which triggers all sorts of badness. As the book continues, Maika’s joined by a half-fox named Kippa and a two-tailed poet cat named Ren (both of whom are very cute, in case you were wondering). Maika has some impressive powers which she uses to brutal effect when she needs to, but she also has a monster inside her that she’s fighting for control of her body. 

Although the story is good, I have to admit sometimes I got a little lost reading it because it is deep and complex (particularly as relates to the politics). But this isn’t really a bad thing because there are plenty of people who adore stories like this. For me, the best part was the art, which was beautiful—dark and evocative. Oh, and it doesn’t hurt that the themes of feminism and diversity are right there for all to see. Because while it’s steampunk, it’s not set in alternate England—it’s more alternate Asia somewhere. And it’s peopled mostly by women, who run the gamut when it comes to being good or not.