Here’s my annual review of my year’s reviews, where I look at my favorite five books of the year.
The first favorite book I’ll mention is Sadie by Courtney Summers, which I reviewed in February. This is a very dark book with an ending I didn’t really see coming. It’s also got an interesting format: two different timelines with two different points of view.
We Are Okay is another book by Nina LaCour. I pretty much love whatever she does, but this slim book about friendship took me on quite the emotional ride. Here’s my July review.
Although I am a fan of Pride and Prejudice, I’m not always a fan of fresh takes on it. But I reviewed Pride by Ibi Zoboi in September and really enjoyed it. It’s a really fresh take, featuring two Black teens in modern-day Brooklyn.
The 57 Bus by Dashka Slater is a nonfiction book I reviewed in October. This one is also about a Black teen, as well as a nonbinary teen and the unfortunate interaction they have (and then the aftermath). It provides some interesting perspective on justice. It’s really good and has stayed with me.
The last book I’ll mention I reviewed in November: Cinderella is Dead by Kalynn Bayron. This one is a reboot of Cinderella (obviously), but it is one of the most original books I’ve read in a while and I really enjoyed it. It’s about a Black lesbian girl living in this oppressive post-Cinderella world. It deals with some deep subjects but manages to stay entertaining.
There you have it: my top five for 2020, dumpster fire year. At least there were books.
I don’t remember how I found out about this book, which originally came out in 2014, but I’m glad I did. As I’m starting to explore suspense in YA more, this is a perfect thing for me to read. I saw it compared to a Harlan Coben book, and having just read my first Coben book, I can say the comparison is apt.
I rarely review books here that aren’t YA, but I enjoyed this one and think some of you might, as well. This is a rare suspense novel set in India (at least it’s rare to me—when I think of suspense, it’s almost always with white characters).
I know this book came out a while ago (2006) and is a TV show now, but I picked it up based on a recommendation for my suspense/thriller class for my MFA. I’d obviously heard of it, but never read it.
I’ve been reading a lot more YA suspense lately, partially because there’s more of it coming out, and partially because I’m interested in trying my hand at it at some point.
I’ve been reading more suspense and thrillers lately, partially because I’m interested in turning one of my books into a suspense so I need to study up, and partially (of course) because I enjoy reading them. This was my first Kara Thomas book, but she apparently has some others, so I will be checking those out.
This book’s been sitting on my shelf a while (in very good company) and I decided I wanted a quick read that was not for my MFA, so I picked it up. It turned out to be perfect. Even though I’m in a bit of a reading slump, I read it in two days because it’s pretty fast-paced. It’s billed as a contemporary YA romance, but I’d argue it’s romantic suspense, although the suspense doesn’t get started right away.
Two Can Keep a Secret is the followup (not the sequel, that’s a different book) to McManus’s One of Us Is Lying, which I liked and
When I first heard about this book, I was sort of freaked out because of similarities it has with my own Sadie Speaks (still unpublished). I’m hoping I don’t have to change the name of my character because of it. Still, it sounded like an interesting book, so I bought it.
This is quite a book, very addictive. It’s a debut, too, which makes it extra surprising, because it feels a little masterful. It’s a tricky psychological thriller with four unreliable narrators. Actually, I’m not sure if the label “psychological thriller” quite fits because it’s not particularly intense like you’d expect with a thriller. Although the book messes with your head, it’s a little mellow compared to Gillian Flynn’s books and The Girl on the Train, I think because there’s more of a sense of danger in those than in One of Us Is Lying. In this book, the mystery is at the forefront. Who killed Simon and how are they hiding that from us despite the fact that we’re in their heads?