2018 in Review

One of the nice things about having a bad memory is that when it comes time to write an end-of-the-year post and look back on the year, the stuff that happened at the beginning of the year isn’t really that much more hard to remember than the stuff that just happened. Obviously I’m sort of kidding—it’s annoying even if it’s not unfair to the beginning of the year. 

This year, there were five books that really stood out to me. Three of them I read and studied for the MFA and the other two I’m planning to put on my list for next semester. 

Eleanor & Park has been one of my favorite books since I first read it back in 2013, I think. I reread it a few months ago and enjoyed every second of it again. If I could write like Rainbow Rowell, I’d consider myself There as a writer. I reviewed it in August. 

Louise O’Neill is one of my other favorite writers. This year, in June, I reviewed The Surface Breaks, which is a very feminist retelling of the Little Mermaid story. O’Neill manages to get her message mixed in with a very satisfying and engaging story every time. 

Girl Mans Up by M-E Girard is another great one to me. It was such a fresh story about a gender nonconforming girl who learns the value of female friendships over her bro relationships. I reviewed it in October. This is one I’m hoping my faculty mentor lets me put on my reading list for next semester. 

Another book that I adored and studied for the MFA was All the Bright Places by Jennifer Niven. This is a fantastic and tragic look at mental illness (undiagnosed bipolar disorder in this case). I really loved this book and happily reread it for the MFA. I reviewed it in January. 

The Weight of Zero by Karen Fortunati is second book on this list that takes a hard look at mental illness. This one doesn’t end sadly, however, but does explore bipolar disorder in depth. I really enjoyed it and reviewed it in April. 

Review: Aspergirls by Rudy Simone

I don’t often review nonfiction. But I thought it was worth it for this book, which could be relevant and helpful to a lot of teen girls (and adult women, for that matter) like me. I’ve never been diagnosed with Asperger’s*, but reading this makes it pretty clear that I’d qualify. In the past when I’ve looked at the symptoms lists, it didn’t ring true—but that’s because (like most everything in the medical community) they focus on how the condition presents in boys and men (you know, the default human). 

Simone’s book is comprised primarily of personal anecdotes from her and other girls/women with Asperger’s and her commentary on the significance of those. She also gives out quite a bit of advice. Near the end, the book started feeling a little pseudo-sciency to me, particularly when she gets into some of the stomach issues and how to deal with them, because she doesn’t do a thorough scientific analysis of it. This isn’t really meant as a criticism of the book as a whole; I just found that I didn’t put as much trust in that part (I am just very cynical when it comes to anyone recommending a certain diet). 

Aspergirls book cover

Since this is nonfiction, I’m going to go through the chapters and comment on each a little instead of giving a more general picture. Each chapter contains Simone’s anecdotes and commentary followed by Advice to Aspergirls and then Advice to Parents. For the purposes of clarity, I’ll use AS for Asperger’s syndrome and NT for neuro-typical, as Simone does. 

1. Imagination, Self-Taught Reading and Savant Skills, and Unusual Interests: Simone talks about how people with AS love information probably because it anchors our thoughts. A lot of AS girls teach themselves specific skills, even reading, and may have unusual abilities in certain areas (though this isn’t that common and it isn’t uncommon for AS girls to have learning disabilities, too). One thing that was particularly interesting to me is that autistic kids have been found to have higher fluid intelligence but not necessarily higher crystallized intelligence. Fluid intelligence is the ability to see relationships between things that aren’t obviously related. I do this all the time, sometimes confusing people with my connections. Crystallized intelligence is more traditional intelligence—the ability to learn stuff and use it. One really interesting point was that while many AS girls develop obsessive interests just like AS boys do, they tend to be in the domain of more acceptable things (books, art, music, animals, etc.)—all of which are “normal” for many girls. She says we “want to fill our minds with knowledge the way others want to fill their bellies with food” (p. 23). As someone working on her fifth degree with plans for a sixth, I can certainly relate to that. 

2. Why Smart Girls Sometimes Hate School: In a word, bullying. It is true that AS girls don’t have the social skills of NT girls. But even outside of that, most AS girls actually don’t love school despite having a love of knowledge. It’s too structured and doesn’t let us focus on the areas that interest us. Simon says that “Aspergirls do not thrive under scrutiny if it has the slightest bit of hostility in it” (p. 31). I can relate to this very well. I wither when people judge me, which I hate but I’ve never been able to get past this tendency. 

3. Sensory Overload: Simone points out that it’s not really true that AS people feel less, as was previously though, but that instead we feel things much more intensely. This is where sensory overload comes in. As people are often deeply disturbed by things other people don’t even notice. I know that the more people I’m around, the more uncomfortable I get—especially as the noise level increases. I hate sudden loud noises like balloons popping. Though I think I’m lucky because I don’t have too many sensory issues. A lot of AS people can be bothered by many sounds, sights, and even tactile sensations. 

4. Stimming, and What We Do When We’re Happy: I only heard of swimming fairly recently. It’s short for self-stimulatory behavior. This covers things like rocking, clapping, twirling, and hand flapping, all things AS people can do when they’re overwhelmed (and sometimes when they’re happy, too). I’m a chronic pen twirler. Not sure if it’s stimming or if it’s just a thing I do to help me think (I swear I think better with a pen in my hand). 

5. On Blame and Internalizing Guilt: We all know that boys and men rarely question themselves or blame themselves or internalize much of anything (other than “emotions other than anger are bad,” of course). This is one significant way AS girls are different from boys, because we do blame ourselves for our ”weird” behavior that we can’t control and subsequently start feeling guilty about it. But even more importantly, this blame often comes from external sources, when people think AS girls are behaving that way on purpose. 

6. Gender Roles and Identity: This was one of the most interesting chapters to me because Simone says that most AS girls don’t get gender roles and often shirk them. This is partially because we like to wear comfortable clothes (sometimes due to the skin sensitivity some of us have). But this also extends to identity in general, with a lot of AS girls being rather chameleon-like. Some simply don’t have much of a sense of self. I can certainly relate to this as I despise the expectations people have based on gender. It has always driven me crazy that while it’s fine to recognize there are differences between men and women, generalizations don’t apply in every single case.

7. Puberty and Mutism: This chapter touched on puberty, but was mostly about mutism. Mutism is the situation where an AS girl is simply unable to speak and often even think. I’ve been there before. It’s bizarre and frustrating. 

8. Attraction, Dating, Sex, and Relationships: I skimmed this chapter, but one thing I did get out of it was that while a lot of AS girls aren’t remotely interested in romance, others are. Those who are are prone to becoming obsessed with the object of interest and coming across as stalker-y. Another point is that because we don’t experience romance in the same way, many of us marry early or because it’s “time” rather than because there’s a real connection with the partner. Breakups are often worse for AS girls because of the break to a routine. 

9. Friendships and Socializing: It’s true that AS people tend to lack social skills, so common socializing is very difficult. But it also means that it’s hard to maintain friendships in general. 

10. Higher Learning: College is kind of a mixed bag. Some AS women do really well because of the routines, focus required, and opportunities for learning, but most others struggle with sensory overload and managing all the aspects of college life. Simone talks about the importance of trying to get assistance from the school (such as through the Office of Disability Services) if necessary, but also that many of the support services are very lacking and the people are often uninformed. 

11. Employment and Career: Simone says that a lot of AS women struggle in this area because of lack of education or qualifications. Additionally, getting jobs in the first place can be difficult due to the social skills problems. She emphasizes the importance of AS women trying to establish themselves in good jobs, especially since many stay single and can’t rely on someone else to support them.

12. Marriage and Cohabitation: I also skimmed this chapter because it isn’t relevant to me.

13. Having Children: Ditto.

14. Ritual and Routine, Logical and Literal Thinking, Bluntness, Empathy, and Being Misunderstood: Routine and even rituals are a way for AS girls to control the world around them as much as possible. Simone also talks about how literal thinking can sometimes make problems for us. I know for me that when I read, I’m very literal. Symbolism usually goes flying over my head and I cannot enjoy poetry. Bluntness is another area that can be a challenge. Simone points out that AS girls often feel misunderstood because whatever we said bluntly or understood literally was not intended to have the impact it did on the other person. 

15. Diagnosis, Misdiagnosis and Medication: A lot of AS women have never been diagnosed because the medical community is slightly clueless about AS in women, as opposed to men. Many AS women have been diagnosed with various mental illnesses and often prescribed medications based on that, when it completely misses the mark. Many women don’t find out they have it until their child is diagnosed. 

16. Depression Meltdowns, PTSD, and More about Meds: Apparently “meltdowns” are a common occurrence in people with AS. This chapter talks about depression ones. These are extreme depressions that take over an AS person’s life temporarily and can be caused by a variety of things. Simone does address the fact that AS people are prone to depression that can be treated by meds. 

17. Temper Meltdowns: This chapter is basically about the temper tantrums that AS people sometimes have. They can be triggered by almost any sensory overload and can manifest in many different ways. AS women are more prone to crying than men, but the meltdowns can be violent or just excessively phrased or acted out. However they occur, they are usually embarrassing after the fact and women especially are considered crazy, whereas men are more often forgiven. I can relate to this one, too, as (especially when I was younger), I would be triggered by something and be instantaneously overcome with this intense rage. I never was violent toward other people, but I destroyed plenty of my own things and also would say horrible things to people. All very humiliating. 

18. Burning Bridges: When you say horrible things to people, they don’t want to be around you. As mentioned earlier, a lot of AS women have trouble keeping relationships up and this can be extended to not just keeping them up but ruining them. But Simone also talks about how AS women “start over” repeatedly. Cut off all ties with the old life and start afresh. I can also relate to this one—over and over while I was in college I would decide it was time for a change and I would move, change jobs, and either go back to college or drop out of it. 

19. Stomach Issues and Autism: Apparently some people think that autism in general is caused by stomach problems during early formative months. There are also several diets that are supposed to help with autism. I’m a skeptic. 

20. Getting Older on the Spectrum: Simone talks about how most AS women stay single so money can be a challenge. So can loneliness and health problems. But otherwise, most stop caring as much about what people think of their unusual behaviors. But also, in some ways, older women are allowed to be more eccentric. 

21. On Whether Asperger Syndrome is a Disability or a Gift and Advice from Aspergirls to Aspergirls: I didn’t read this one because Simone started off by saying she preferred the term “differently-abled” over “disabled,” which I can’t stand. This seems to me like a term that non-disabled people have come up with to try to make disabled people feel better about themselves. I find this insulting. I mean, you should own it. 

22. Give Your Aspergirl some BALLS: Belief, Acceptance, Love, Like, and Support: I didn’t read this one either. 

23. Thoughts and Advice from Parents of Aspergirls: Or this one. 

There are also a couple of appendices which listed the symptoms of female AS and then the main differences between male and female AS. These are good. 

* Yes, I know it’s not technically a diagnosis anymore, but I think it is a different enough thing from more challenging cases of autism spectrum disorder, so it’s a valuable distinction. And people have a sense for what you’re talking about, even if they don’t get it exactly right. 

Review: Awakening (Monstress #1) by Marjorie Liu and Sara Takeda

I haven’t been reading a lot of graphic novels lately, probably because I’ve been on more of a contemporary kick and most graphic novels are fantasy or sci-fi. But this one caught my eye at Barnes and Noble because of the art on the front—and the cat I saw on the back when I turned it over. It comes highly recommended with two blurbs by Neil Gaiman as well as ones from EW and Cosmopolitan. 

Monstress Awakening book cover

Monstress is an epic steampunk story about a survivor of a devastating race war between humans and Arcanics. Seventeen-year-old Maika Halfwolf may have survived the war several years earlier, but that doesn’t mean she knows her past. It’s a mystery and she’s desperate to understand it, so she is searching for answers as the story opens. She kills a dangerous woman and steals something that belonged to her, which triggers all sorts of badness. As the book continues, Maika’s joined by a half-fox named Kippa and a two-tailed poet cat named Ren (both of whom are very cute, in case you were wondering). Maika has some impressive powers which she uses to brutal effect when she needs to, but she also has a monster inside her that she’s fighting for control of her body. 

Although the story is good, I have to admit sometimes I got a little lost reading it because it is deep and complex (particularly as relates to the politics). But this isn’t really a bad thing because there are plenty of people who adore stories like this. For me, the best part was the art, which was beautiful—dark and evocative. Oh, and it doesn’t hurt that the themes of feminism and diversity are right there for all to see. Because while it’s steampunk, it’s not set in alternate England—it’s more alternate Asia somewhere. And it’s peopled mostly by women, who run the gamut when it comes to being good or not.  

The Semester’s Wrapping Up

I’m in the final couple weeks of the first semester of the MFA, which is pretty exciting—almost 25% done. I took three “classes”—pedagogy (teaching English comp), elements of prose (basics), and the primary packet exchange (short papers on craft and creative writing). I finished the pedagogy one by sending in my reflective essay earlier this week and today I’m working on finishing up the final packet. For the last class, I have to read short stories by three other students and provide feedback on that, but of course I’m waiting on people to post them (I posted mine last weekend because I’m a big dork). I worked on two stories this semester. The first has turned into a 14,500-word novelette and the second is a 4500-word story (the shortest I’ve managed so far). I’m pretty happy with both, even though I know they’re not done.

The next semester starts in exactly a month and I’m already excited about it. The theme of the feedback I got this semester has been that I don’t go deep enough into my characters’ emotions so readers don’t get enough of a sense of who they really are. So I’ll be working on that more next semester, among other things. I also found out I’m going to get to do a secondary genre study of playwriting, focusing on 10-minute plays. I have to analyze several for three months and then I’ll write my own. I already know the basic premise of the one I’m going to write, though I need to come up with an ending for it. I’m looking forward to this because it will be sort of fun, but also it will help me develop dialogue, since that’s primarily what makes a play.

I’m still waiting to hear on my submissions of Ugly. It’s been less than a month, so I wouldn’t expect anything yet, but still. The waiting game sucks. It’s out with two editors and three agents right now. And Finding Frances is out with one last editor. I should hear within the month on that one. It’s the last gasp for it, at least in its present form.

Review: Dramarama by E. Lockhart

Dramarama book coverFirst, I have to say that Dramarama plays heavily with stereotypes—namely Gay Best Friend and Theatre Geek. However, it’s not a bad thing at all because Lockhart brings both to life so effectively.

Sarah is a big-time musical theatre fan in a small-time, boring Ohio town. When she meets Demi at an audition, she finds a kindred spirit and the two of them become inseparable. Demi, who is black and (closeted) gay, gives Sarah her stage name—Sadye. They are classic theatre kids—overdramatic, enthusiastic, and physical. When both of them manage to get into a summer program at an elite performing arts school, they’re ecstatic. And off they go.

This is where things get interesting, because they’re separated into different dorms and soon their friendship is going to be tested. Demi fits in immediately. He’s able to be comfortably out of the closet and he just explodes into the talented performer he is. Sadye struggles more. She’s sharing a room with three other girls, two of whom really intimidate her, while the other she views as desperate and uncool.

Sadye’s friendships with her roommates develop and she watches them succeed while she feels like she’s not doing as well as she should. They are all taking classes and preparing for two different shows, one of which is early in the summer and so comes pretty quickly. Sadye enjoys that even if she didn’t get the most important role. But everything starts to get complicated as the summer progresses.

Really, I couldn’t relate to either Sadye or Demi, as I couldn’t be more different, but that didn’t make them uninteresting characters. Sadye is wonderfully flawed. She’s not always likable, as she does some unpleasant things, but we can see where those actions come from and we empathize. She’s a very realistic teenager.

The ending of the novel surprised me a bit. It didn’t happily tie everything up. I mean, it tied everything up like it needed to, just not really happily. There was element to it that I felt was a little out of the blue and maybe not the best possible ending, but it didn’t make me not enjoy the novel. Also, Demi didn’t behave quite like I would have in the ending. Still, much of the book was fun because of the characters and setting rather than the plot itself.

One other little thing that was kind of fun for me is that all the kids admire Kristin Chenoweth. (Sadye is distinctly not Kristin-ish, being rather tall.) Kristin is from Oklahoma and graduated from Oklahoma City University, where I’m doing my MFA (it apparently has a great musical theater program), so that was a little cool.

If you’re a fan of Lockhart, you’ll want to read it, even though it’s different from her others (actually, all her books/series are different from each other). It would also be enjoyable both for kids who grew up a part of the theatre world and those of us who only observed wryly from afar.

Review: You Against Me by Jenny Downham

You Against Me book coverI like Downham but was a little hesitant about this one because I thought the premise sounded stressful. But I’d put it on my reading list for this MFA semester, so I cracked it open last week.

Mikey’s 15-year-old sister Karyn has been raped just before the book opening and he’s upset but not sure what to do about it. Ellie’s brother Tom is the accused rapist and she’s defended him with her statement to the police, because she was the only other one home the night it happened. It’s clear from the back cover copy that Mikey and Ellie are going to meet and the implication is there of a relationship.

They come from different worlds. Mikey’s mom’s life is largely ruled by alcohol and the family is on benefits while Ellie’s family is wealthy. Mikey left school after not doing well and 16-year-old Ellie is dutifully studying for her exams. Tom is a typical entitled rich white guy, used to getting what he wants. Ellie is very timid, though, with an overbearing father who favors Tom heavily and a mother who does, as well.

The book opens with Mikey going to Tom’s house to beat him up, but he’s not home. However, the family is throwing a huge party to celebrate him getting out on bail. When Mikey knocks on the door, it’s Ellie who answers and he convinces her he’s one of Tom’s friends so he gets invited to the party. Mikey and his friend go with the intent of beating Tom up, but instead Mikey accidentally befriends Ellie and decides to run with it—he can mine her for info about Tom. The problem with that is that he actually likes her, and she likes him. Things progress sort of like you’d expect, but not exactly, which makes it work.

The subject matter is handled with care and we don’t know what really happened until quite a ways into the story. There are hints but Ellie, Tom, and Karyn are all sticking to their stories. Still, the book is very well-plotted with reveals coming right as they’re needed and not before. The characters are great. Ellie is sort of spineless in the beginning but grows one, Mikey’s not the greatest guy (kind of a player) but he gets believably nicer, and Karyn also seems to finally be recovering from the assault by the end. I should mention that it’s a quiet story that makes you think throughout and might seem a little slow to some, but it didn’t bother me. As I mentioned above, I thought pacing was good.

There are lots of YA books about rape out there, but this one is different because we never get the victim’s perspective. I enjoyed it more than I thought I might, so I’d recommend it even if you’re not a fan of issue books (it doesn’t feel like one to me). And the seaside English town setting will provide a certain exoticism for American readers.

No Review…

Another week without reading a new YA book, so I don’t have a review. I did reread (listen to, actually) All the Bright Places and still love that book. I should have something next week, as I’m reading a new one by Jenny Downham.

I also sent Ugly off to three agents and two editors. So we’ll see what happens.

I’m on my last month of the first semester of the MFA so it’s wrapping up, but I’m swamped. Next semester starts Jan 2 with the residency.

Weird Pitch and Ugly

Last weekend I went to the Emerald City Writers Conference, a local one run by the Greater Seattle Romance Writers of America chapter (this is why I failed to post last week, which bums me out because I hadn’t missed a week since starting the blog). It was pretty good, though I had the weirdest pitch of my life. An editor from St. Martin’s Press seemed interested enough in Finding Frances but then when they called the end of the pitch, she said, “Whoop,” like there was nothing to be done. I guess she didn’t want it, but it was weird that she didn’t just tell me that. I met someone else who pitched the same editor and also had insufficient closure. We think maybe she was new to taking pitches or something. A couple days ago, I got another rejection on it for the last partial that was out. I don’t have any other queries out, so that one’s out of the running. I hit 219 rejections and I’m tired of it. Clearly it’s not good enough as it is now.

My real focus is on Ugly right now. I just now finished going through the latest draft to incorporate comments from three beta readers. And I’m ready to send it off to the editors and agents who asked for it. I’ve just got to write up the five query letters, which I’ll do in the next couple days. So I’ll get that one out into the world soon.

Of course my other focus is on the MFA. I’m about to finish the third month. I already got feedback on the end of my novelette Little Monsters, a story about the girl in “Now Would Be Good” when she was thirteen. My faculty mentor says that the plot and storyline work very well. But she wants more character development, more internal thoughts (which ties into character development), and for Sarah’s relationships with two of the secondary characters to be fleshed out more. It’s already 12,000 words and she thinks it needs to be longer… sigh. I am not good at the short form. I do have another short story that is 4000 words to share in one of my classes (that is the max acceptable length). Of course, this is a modified version of what will be the real story, which will be much longer because it will start three months before the current version starts.

I did find out that I’m going to be able to do an independent study on ten-minute plays next semester. I have to read and analyze fifteen plays over the first three months and then write one of my own for the last month. I’m looking forward to that because I think it will be fun. Not that I’m going to become a playwright or anything, but it will be a good exercise in both the short form and dialogue.

Review: Girl Mans Up by M-E Girard

Girl Mans Up book coverGirl Mans Up is one of the best books I’ve read in a while. This is the first gender nonconforming girl I’ve really seen in a book (I’m sure there are others, but I haven’t encountered them) and I was really excited to read Pen’s story. It reminded me in some ways of what I’m trying to do with my own book Ugly, even though Pen is different in a lot of significant ways from my protagonist.

Penelope—Pen to everyone—Oliveira is one of the guys. Her best friends are Colby and Tristan and they’ve been friends for years. They’re all gamers and Pen’s the best among them. But there are some things that aren’t perfect—another boy named Garrett has been hanging out with them and he loves to push Pen’s buttons (and everyone else’s).

…that one over there who’s sort of a girl, I don’t know, I can’t tell anymore.

Colby and Tristan have always been fine with who Pen is, but Garrett is obsessed with the fact that she’s a girl who prefers the company of guys and doesn’t really look like a girl, except for her very long black hair, which she keeps pulled back in a pony tail all the time.

Pen explains Colby’s loyalty system to us early on. Guys have each other’s backs and all serve a role in a friendship. Pen’s primary role—other than being a gaming companion—is to get hot girls to talk to Colby. This was a little weird to me, because I didn’t see how he didn’t have enough confidence to just go up to them himself. But still, this is how he does it. He’d point to a girl he wanted and tell Pen to go work her magic. Said magic is effectively manipulating the girl into trusting her—and then Colby, so he could get what he wanted. It’s awkward and Pen doesn’t realize what she’s really doing because she has really bought into the whole guy system. Colby’s a real piece of work, although it takes her a while to see it.

Pen’s got a secondary issue to deal with, too. She comes from a very traditional Portuguese family that immigrated to Canada, where she’s grown up. She has a very supportive older brother and the two of them are considered black sheep by their own parents and the rest of the family, all because Pen is not a “good girl” (i.e., a girly girl) and her brother doesn’t want to work in the factory with all the other men—they don’t have the required respeito (respect) for their elders. I love the conflict that Pen’s family provides, especially her mom, who’s pretty horrible but totally believable. Everything Pen does to be herself is interpreted as an intentional insult to her mom and family.

When Colby tries to get Pen to go after a girl who Pen herself is interested in, things go weird and different. Pen’s arc is really to learn to folly of Colby’s guy code and the value of female friendship and it takes most of the book for that to work entirely out. Along the way, she comes to understand herself better and she also learns to stand up for herself in ways she doesn’t at the beginning. At the start of the story, she’s pretty passive, despite the fact that there is a lot for her to fight against (and for).

The book is well-plotted and all the major characters are deeply drawn. It’s told in first person present tense, which makes it feel really immediate and intense throughout. It’s great. There’s lots of very colloquial (but not overly slang-y) teen speak which felt real to me:

“Dude, I’ve known these guys longer than I’ve known you, so you can suck it”

There’s also lots of interesting stuff done with the fact that the older ones among Pen’s family are not native speakers of English. Girard includes “broken” English that feels very real (and I really think not mocking). Her mom says:

“I no yell. Listen. You cut you hair, you get people laugh.”

It works well. There’s also a lot of actual Portuguese in the book, as Pen and her family speak it, even if Pen isn’t as comfortable with it as English. This is handled very effectively to give the book a particular flavor without distracting the reader.

I haven’t given much of the book away because I think you should experience it the way I did, as an unknown entity. But you should go read it—it will open your eyes to an experience that is probably different from your own (and if not, it will be refreshingly familiar and real). It’s really an excellent book. No wonder it won an award and was a finalist for another.

October Update

I don’t have a lot to report. I did get called for jury duty again, including on my birthday, which does not surprise me. I mean, it has been a whole year and a half since I last served, so when you have a biased random number generator, I can only expect it. Oh, and Friday as I was pulling out of a parking spot, I heard this series of plinks. And then I observed that my car was covered in bird shit. It got my back window, both driver side windows, the front passenger side window, and of course the windshield. Additionally, there were at least 25 white and brown spots on the roof of my car. Was there a time slip and a pterodactyl flew over my car? Seriously. My mom said it was probably a vendetta.

I closed down several open queries on Finding Frances that were over 100 days old so I’m pretty much done with that one. There is still a partial out, but I don’t expect anything to come of it. I guess I need to rewrite it, but I’m just going to ignore it for the time being because it’s never going to be the book that gets me an agent.

I have three people beta reading Ugly right now, including a Scottish friend so she can check for authenticity in the Scotland chapters. I’m hoping to get the other two back this week so I can start implementing changes. I told the editors and agents in the middle of September that it would be about a month before I could send it, so I’m going to be late. But I’m targeting the end of the month. I can work fast, assuming the required changes aren’t massive. I figure 6 weeks instead of 4 isn’t terrible.

The MFA is going well. This semester is over half over and I’m barreling toward the spring semester and the January residency. I’m working of revisions on two short stories. One is called “Little Monsters” and it’s the first in the timeline of the series that “Now Would Be Good” is in (it’s quite a bit before—she’s just started 8th grade—so I am pretty sure I’m going to include it as a bonus at the end). Then I wrote another one that’s going to be the last in that timeline, with her going off to college. That one is for one of my classes and is supposed to be no more than 4000 words. It’s really hard for me to keep things that short. I’ve got a scene I wrote for it (the first scene) that I’m going to throw out for the class, but then for real I’m going to add it back in and then add some more scenes, so it will ultimately be a very different story.

Review: Meet Cute

Meet Cute book coverMeet Cute is a collection of “meet cute” (the first meeting of a couple who will be starring in a romance) stories by some big names in YA contemporary and romance right now. By their very nature, some of these feel a little incomplete—because these are the stories of the meet only, not the rest of the romance. There are fourteen of them and definitely some are better than others, in my view.

The first is “Siege Etiquette” by Katie Cotugno. This one’s told in second person (“you”), which is something that I don’t like. I mean, I don’t hate it, but it just feels forced and manipulative and a little pretentious. The story itself didn’t really speak to me, either. It’s about a girl who ends up in a bathroom with a boy she doesn’t know well at a party when the police are trying to get in and everyone else is hiding in the basement. The main character, Hailey, just isn’t too likable and I didn’t care that much about her. I liked the guy—Wolf—better and wondered why he seemed interested in her.

The second story, “Print Shop” by Nina LaCour, is actually my favorite. It’s about Evie, a girl who takes a job at an old-fashioned print shop because she values the non-digital approach. But then her first assignment is to get the shop an online presence, which I thought was pretty funny. Not that the story is very funny (it’s not), but I felt Evie’s pain, which is what you want. So then there’s a PR fiasco on the Twitter account she creates, all because of a “typo” made on a banner for a high school girl. After searching the girl’s profile, Evie jumps through hoops to help make sure she gets her remade banner in time, and when they finally meet, it is cute.

I enjoyed the third one, “Hourglass” by Ibi Zoboi, reasonably well even if it didn’t move me too much. It’s about Cherish, the only black teenager in her small town. She’s dress shopping with her white friend Stacy, who’s got the perfect body, unlike Cherish (who is giant—6’5” (wow)). And really, Cherish isn’t dress shopping herself—she’s with Stacy because the shop doesn’t have anything that will fit Cherish. For that reason, Cherish isn’t planning to go to the prom. But after she has a falling out with Stacy, she visits a new African tailor in town. That’s where she meets the tailor’s son, who looks like a superhero and is studying at the local community college. He’s nice.

The next story is “Click” by Katharine McGee. This one is about a an online dating date that goes horribly wrong—but in all the right ways. The online dating site is Web-data-driven, in that it scrapes the Web for all bits of info about anyone who signs up and does some clever matching on multiple points. She goes on her first date and manages to leave her phone in the taxi. This isn’t just normal bad because her phone contains a data chip with a very important program on it that she’s been working on. (Okay, let’s not talk about the fact that she wouldn’t have not had a backup somewhere, but okay, for the purposes of the story…) She and her date spend the evening chasing down the phone/chip.

“The Intern” by Sara Shephard is about Clara, an intern at a record company who gets a weird assignment with one of the company’s artists—take him to a psychic. I had a little trouble with this one because some of the events just didn’t feel entirely plausible.

The sixth story is “Somewhere That’s Green” by Meredith Russo. This one is about a trans girl whose community is up in arms since the school started letting her use the girls’ bathroom. I didn’t really love this one, either. The meet cute is between her and one of the spokespeople for the bathroom-use opponents, who despite having really religious parents likes girls. I just didn’t totally buy it all.

The next one is “The Way We Love Here” by Dhonielle Clayton, which features a brown girl and an Asian boy on a fictional island with magical undertones because everyone is born with several red strings around their ring fingers. The strings disappear over time until they’re all gone when you meet your true love. Vio isn’t particularly interested in meeting hers and when she rescues Sebastien from nearly drowning, they begin a time-traveling adventure of sorts. It’s kind of an odd story and I didn’t get really into it, but it wasn’t bad.

The eighth story is “Oomph” by Emery Lord. I liked this one quite a bit, too. It’s about two girls who meet at the airport and is full of clever and cute dialogue. I did feel like it took a little to get going, but once it did I really liked it.

The next story is “The Dictionary of You and Me” by Jennifer L. Armentrout. I’m sort of ambivalent about this one. I definitely liked the premise—a girl working at the library gets to know a boy while chasing down an overdue dictionary. It was just that the dialogue was a tad disappointing—decent though not as funny as it was trying to be. I also felt like the coincidence meter was sounding because of who the boy turns out to be.

“The Unlikely Likelihood of Falling in Love” by Jocelyn Davies is an interesting story. It’s definitely got a cute premise, even one aspect of it did bug me a little. It’s about a girl who’s the only girl in her AP stats class (and plans to win a Nobel Prize in math, as soon as they start offering one). She spots a boy on a train going the opposite direction in NYC and is instantly smitten. Then she proceeds to make calculating the likelihood of seeing him again her end-of-semester project for stats. This is what bugged me a little—I didn’t think that the only girl in a technical class would do such a “girly” topic. But then, maybe she would. We don’t get to know her too well in such a short story. Also, the way it’s written made it sound like the end result—whether or not she meets him again—matters to the class project. It doesn’t. The likelihood of something happening stays the same whether or not it actually comes to pass. But still, it was a pretty fun story.

I didn’t really care for “293 Million Miles” by Kass Morgan because I found it not very plausible, particularly the big reveal at the end. It’s about a guy and a girl trying out for a Mars mission. They end up in an isolated room together, ostensibly being tested for behavior under stress. I thought that her behavior would have totally ruled her out and the way they treated him at the end just didn’t work for me.

I’m not a fan of reality TV, so at first I thought I wouldn’t like “Something Real” by Julie Murphy. It’s set on the set of a reality TV show—one that pits two girls against each other in a competition to get a date with a famous young musician. So at first it’s not clear who the meet cute is between, but once we meet the musician himself, we can guess. It’s cute and there are several funny scenes.

“Say Everything” by Huntley Fitzpatrick is another second person story, which still bugs me, by the way. I didn’t love this one, either. A girl whose family used to be rich is waiting tables for some cash. A boy asks her out and it turns out that he’s not just any boy—he’s related to the reason her family isn’t rich anymore. He does her a weird favor that takes her back to when she was younger and makes her rethink her current situation.

The last story, “The Department of Dead Love” by Nicola Yoon, is really unique and creative. I liked it even if I didn’t love it. Thomas had what he thought was a perfect relationship that ended several months earlier and he’s gone through the various areas of the DoDL before finally landing in Autopsy (i.e. relationship autopsy). If he’s lucky, he’ll qualify for a Do Over. Things go unexpectedly and he doesn’t get what he wants out of his visit there, but ultimately gets something else.

Anyway, this was a long review. If you’re a fan of YA romance you might like this one.

Review: Just Listen by Sarah Dessen

Just Listen book coverI first read Just Listen a few years ago and I loved it, mostly for Owen, the male lead. Not because he was swoonworthy or whatever in the typical sense. No, it was because he was hilarious (as was his sister and his relationship with her). Also, I could relate to him and his frustrations with Annabel (I had the same frustrations). I recently reread the novel for my MFA and found it just as good as I remembered. I was still frustrated with Annabel and glad to see her change by the end, and I was still very fond of Owen and his anger management issues (doesn’t sound particularly funny, but it’s all in the way he and his sister talk about it).

It’s not too surprising that I couldn’t relate too much to Annabel, who’s working as a model on the local scene. Fortunately, she’s not one of those uber-skinny, unhealthy girls. Body image is actually really important to the story, as Annabel’s sister Whitney suffers from anorexia and much of the book revolves around this. Fortunately, Annabel herself has a fairly healthy view of herself and actually eats like a normal person.

The book is told entirely from Annabel’s perspective and it starts at the beginning of the school year (junior year, if I remember correctly). And Annabel’s got a big problem. Something happened at the end of the last school year that cost her her friendship with Sophie—and her entire social standing. This is noteworthy for a couple reasons: we don’t know what happened and Annabel doesn’t tell us until close to the end; and Sophie is a horrible bitch to everyone so it doesn’t reflect well on Annabel that she was friends with Sophie for as long as she was. Still, the point is that at the beginning of the year, Annabel doesn’t have any friends.

We learn pretty quick that Annabel can’t speak her mind. She’s a consummate people-pleaser. She has two older sisters both of whom have pretty distinct personalities, whereas Annabel gets kind of lost. We get the sense that her family doesn’t know her that well. We almost get the sense that she doesn’t even have a personality (that’s kind of how it felt to me, anyway). She’s just so nice.

She eats lunch on a wall outside the school vaguely near Owen, a big guy most people are scared of because of the time he punched this really obnoxious guy the previous year (Annabel even saw it happen). After something happens that gets them to speak for the first time, they strike up a very unlikely friendship which grows slowly over the course of the book.

As I mentioned, I loved this book. Still, it’s quiet and even slow-moving because we get lots of flashbacks along the way. I didn’t notice that the first time I read it because I was too busy wanting to see where their relationship goes and what actually happened at that party that pissed Sophie off. But this time, I found it interesting because normally that is a bad thing to do (stop the forward motion of the story by looking back) but for me it totally worked here because I was so invested in Annabel and I knew the past was the key to unlocking what happened. And as it turns out, what happened was a big deal and by the end Annabel is finally able to deal with it because of her growth that comes at least partially as a result of Owen’s influence.

So I enthusiastically recommend this to fans of contemporary YA. It’s deep and moving and entertaining all at the same time.

Review: Kissing in America by Margo Rabb

Kissing in America book coverIt’s not often that you get a YA novel that deals with both poetry and romance novels. Rabb does a great job with this book. It’s cute and funny even while touching on some sad subjects.

Eva is sixteen and she’s still trying to get over the death of her father in a plane crash two years earlier. And deal with the fact that her mom doesn’t seem to care and has done everything in her power to erase Eva’s father’s memory from their lives. For whatever reason, after he died, Eva found comfort in romance novels. They certainly can be comforting, as they always end how you want them to. There’s no risk of something going really wrong. But it’s also got Eva believing in love a little more than her mom would like.

Eva’s had a crush on Will, a senior swimmer at their school. When she’s lucky enough to get him assigned to her tutoring session, she thinks she’s got a chance. But when a parade of girlfriends come by to pick him up afterward, she doesn’t have a lot of hope. But still, they get to know each other over the weeks and when he breaks up with his last girlfriend, Eva’s dream comes true. His kiss is as great as she imagined and they end up spending a (chaste) night together in a garden on top of their school. But then Will drops a bombshell: he’s moving across the country.

Eva’s distraught, but she’s so convinced of their perfection as a couple that she’s not really worried. Still, she needs to be able to see him again, and she figures out a way to make that happen. She convinces her best friend Annie to compete in a game show in LA to win a bunch of money for college. Then she manages to convince her skeptical mom to let her ride across the country on a bus (no planes for Eva). Adventures and heartache ensue.

Where does the poetry come in? you ask. Eva used to be a poet. She’d write with her dad, who she was very close to, but since his death she hasn’t been able to write. Will convinces her to write a poem, which she does even though she thinks it’s crap. But then she’s stuck again. It isn’t until the end that she’s starting to get over that. But poetry is still important to her, and each chapter starts with a quote from a poem.

I liked this book. I specifically listened to the audio book, which was well done and I’d recommend it to fans of contemporary. Eva’s likable and relatable even if she’s a tad naive (who isn’t at 16…).

PNWA 2018 and Ugly

This weekend was the Pacific Northwest Writers Association’s annual conference. I only went for three of the four days because I couldn’t spare the vacation, but it still went really well. Friday day was all about the pitching of Ugly (my first time with this one). I did two 90-minute pitch blocks (tiring) and pitched two editors and four agents, getting requests from all of them. I even more or less memorized my pitch—all 6 sentences of it. Yay me. Both the editors requested fulls and two of the agents did, too, with the other two requesting partials. This was a really good result. I told all of them that I needed about another month to get it ready, so now I have to scramble to make that happen.

Friday night was a panel session with Donald Maass, Dori Hillstead Butler, Christopher Vogler, Cat Rambo, and Chris Fox, with rapid-fire questions from moderator Robert Dugoni. One of my favorite moments was when Maass told us about the bad poetry he wrote as a student and how one of his teachers begged him to just “think of the reader.” We got to here about when they first knew they wanted to become writers, what their first writing jobs were, when they first knew they could make a career of writing, what they like best and least about being a writer, and more. Then Friday night was capped off with this monstrosity (which I couldn’t finish):

Giant Banana Split

Saturday I went to a few sessions, glad the pitching was over. But then I ended up pitching Finding Frances to an editor at a session I was at (I was impressed by my boldness) and she asked to see it. I sent that query off later that afternoon.

Sunday is a short day at the conference. I attended just one session, called “How to Strengthen Your Novel Plot by Implementing Movie Structure.” Since this semester in the MFA I am focusing on plot and structure, this one seemed appropriate.

So in summary, I have Finding Frances with an editor (I also have two partials out with agents from previous queries), have to get Ugly whipped into shape in a month, and then have to send it off to six different people. On top of that, I have deadlines for the MFA for the next three Fridays, so this will be quite a month. Busy, busy, busy.

Review: Tiger Eyes by Judy Blume

Tiger Eyes book coverAs I think I’ve mentioned earlier, I wasn’t a huge Judy Blume fan growing up, although I did read most of her stuff for younger readers. My MFA course instructor wanted me to read several of Blume’s books for this semester and Tiger Eyes was one I picked. It was first published in 1981 and I have to say it holds the test of time pretty well, with a couple exceptions I’ll mention below.

New Jersey teenager Davey’s father has just been killed in a robbery/murder at his 7-Eleven store, leaving her, her mom, and her 7-year-old brother, Jason, all behind. Davey’s mom is not coping at all, and Davey isn’t doing so well, herself. She has panic attacks at school and passes out more than once. Davey’s aunt (her dad’s sister) and uncle visited for the funeral and left an open invitation to visit them in New Mexico if they need to. After Davey’s fainting spells, that’s what her mom decides to do.

So the three of them head off to Los Alamos and stay with Bitsy and Walter. At first, Walter insists on showing them around like they’re happy tourists and Davey is soon bored to death. She pushes back and takes off on Bitsy’s bike to explore a little, escaping to the nearby canyon, where she also meets the elusive Wolf.

Bitsy clearly relishes her new role a mother hen while Davey’s mom stands by basically catatonic. They’re there long enough that the two kids have to enroll in school. Davey fights it but loses and soon starts at the local high school, where she is befriended by Jane. Things develop from there in ways I really didn’t expect. I thought this was going to be a love story, but it’s not. It’s deeper than that and goes into healing after a trauma and just dealing with relationships and the unexpected turns they sometimes take.

I mentioned there were a couple of aspects of the book that made it not age as well as it could have. Davey is overall a pretty decent kid who you could imagine in modern novel. Her best friend is a black girl who can’t stand basketball and loves science. Wolf’s Hispanic and she definitely likes him. But at one point when she’s frustrated at her brother for making baking his new hobby, she walks in on him preparing cookies and calls his apron “faggy.” I mean, uh. But even worse is the overt racism that Davey’s friend Jane displays toward all Hispanics. Davey doesn’t get it because she definitely doesn’t feel the same, but Jane is still a major secondary character and it’s pretty unpleasant (although it doesn’t get mentioned very often, to be fair—maybe three times—but it’s a stain). I know that this is painting an accurate picture of the town/gown divide in Los Alamos because of the national lab there (at least at the time; I don’t know if it’s still like that), where all the lab scientists are white and all the laborers are Hispanic. But still.

With those caveats, I can honestly say I really enjoyed the story. Davey’s a really sympathetic character and we see her standing up for herself and her family when she needs to. It might be Blume’s best book.