Another Win and New Release

I found out Finding Frances placed 1st in the YA Novel category of the NEST (National Excellence in StoryTelling) contest run by the Central Region Oklahoma Writers. You can check out the winners page. So that’s nice, too. 

But bigger news is that I’ve released a new book, on the new serial platform, Kindle Vella. This is the Sarah stories, which I’m now collectively calling Always the New Girl. I released it as seven separate stories, as #1 (Now Would Be Good) through #6 (The Weight of Choices) plus the prequel (Binding Off). If you are interested in reading it, you can search for my name or the series name on the Vella page linked above. To read the entire series, you’ll have have to have 703 tokens, which you should be able to get with the free 200 and a purchase of 525 for $4.99. I’d love it if you could:

  • Follow the story
  • Like each episode
  • Review the story
  • Fave the story (you can only do one a week, and only after you’ve purchased tokens)

One downside to this is that you can’t read on an actual Kindle, only in the app or on the website. But I’m really hoping this takes off a little and gets me new readers for Finding Frances (probably wishful thinking, but why not?). 

Another Contest Update

So I know I posted last week after ages, so posting again one week later is a little odd… but I found out Finding Frances got another award, an Independent Publisher Book Award (an “IPPY”). This is another one with tons of categories, but it’s still nice to get some more recognition. Last year they had close to 5000 entries (I couldn’t find this year’s number). This time the book placed third (in another tie—what the heck is up with that?) in the Juvenile/Young Adult Fiction E-book category, which can be seen on this page. 

On the heels of these wins, I felt emboldened enough to apply for another BookBub Featured Deal. And got a big fat rejection a couple days later. So I’ve signed up for another Bargain Booksy deal for June 26 (the ebook version will be on sale for 99 cents from June 25 through July 1, in case that is of interest to anyone... anyone?). Because I found out—and it’s a little embarrassing to write this, but whatever—I have not sold a single book in 2021. A couple books (maybe 3?) sold on Amazon, but apparently they had a few in stock, so not a single one has been purchased from the publisher (I did confirm this with them). No Kindle or other ebook, either. I knew this was going to be hard, but not this hard. Ugh.

Maybe if I can make some progress with the Sarah stories, starting with “Now Would Be Good,” on Kindle Vella, I’ll get some new readers for Finding Frances. I mean, it can’t make things any worse, as it’s not possible to have a negative number of readers. Also from the department of maybe-not-bad news: I heard from my developmental editor on this book that she started reading this past week, so I’m hoping she’s as fast as she’s been in the past, and I get it back in a week or two. I can get “Now Would Be Good” ready to post pretty quickly, as I’m not going to worry about sending it to a copy editor first since it’s been gone over so many times as part of my thesis and more. I am still going to send the whole book to a copy editor, so if they do find anything wrong with that story, I can always update the text later. The only thing that will slow me down is if my developmental editor suggests any major structural changes that impact that story (or anything that comes later but I need to set up there). 

Random image: here’s a self-portrait I had to do for a class. My mom says it’s “frownier” than the photo I drew it from. Maybe I was subconsciously depicting how I feel about my less-than-stellar writing career? 

May 2021 Update

So it’s been a couple months since my last post. Although my break has actually been kind of nice, I’m in a weird place. I haven’t been able to read YA lately (or anything other than picture books, really). Still, things have changed a little since then. I decided to send Ugly to a developmental editor my book coach recommended, as she thinks this editor could make the difference for me. So I’m going to give it one more shot. I should get it back from her soon, and then I’ll have to dive in. 

Additionally, I’ve decided to clean up the Sarah stories and publish them through Kindle Vella, which is a new serial platform that hasn’t been released yet, but is coming soon. This book is odd and was always going to be hard to sell. But it’s perfect for serialization, because it’s always been a novel in parts, where each part is a self-contained story, with all of them adding up to a larger story. So each novel part can be one “story” in Kindle Vella, with each chapter (or maybe a few chapters) making up an “episode”. Here’s an article if you’re interested in learning more about Kindle Vella. I’m in the process of finishing up the full draft (meeting with my critique partner today to go over the revised last story), and I’ll make any needed changes and send it to a developmental editor this week. Then, once I make any of her recommended changes, I’ve still got to send it to a copy editor (I could skip this step, but I probably shouldn’t—though I might be able to get away with it for the first one, since it’s been edited so heavily in preparation for going into my thesis). I’m still hoping to get the first story (I’m starting with “Now Would Be Good,” which is technically the second story chronologically, but I’m planning to do the actual first one at the end, as a prequel) published on Vella before it releases, but that probably won’t happen. But I can hope. 

I also found out that Finding Frances has won an indie award called the Next Generation Indie Book Award. There hasn’t been a press release yet, but I was notified earlier and you can see the list here. Once they’ve officially announced it, it will show up on this page. The book tied for first place in the First Novel (70k-90k) category. Now, this award isn’t exactly prestigious and there are a million categories, and I really would have rather placed in the YA category, but it’s still really nice to get some recognition. Somebody somewhere thinks it’s a good book, even if nobody is buying it. Also, the prize is $100, which I assume they’ll split in half since it was a tie. Which increases my income from this book by more than 50%. This book hasn’t exactly been a rousing success. 

Other than that, I haven’t been working on any other YA stories, instead focusing on my picture book venture. I’ve got two different drafts that are coming along nicely, and another new one I wrote a first draft of on Friday. I’m going to be starting drawing up thumbnails for the first one, even though it’s going to be a while before I can actually do the artwork. I’m taking Life Drawing this term, and let’s just say my ability to draw people… needs to develop a little. 

Here is a sketch I did in my Life Drawing class that doesn't suck.

 

A Change

So I’ve made a decision. Despite years of my best efforts, I can’t get anywhere with the gatekeepers in YA publishing. So I’ve decided to stop writing YA, as it’s not worth continuing to put this much energy into something when there’s no hope of getting what I want out of it. Ugly was supposed to be the one that got me an agent, because it’s exactly what they’re all claiming they want: something diverse and different. But despite over 115 queries to agents on it, fewer than five requested anything, and nobody’s giving me anything but form rejections (most don’t respond at all). I do still have one full out on it—my only thing out there, which she’s had since December—so maybe I’ll change my mind if she decides to take me on. But that is unlikely, given my track record so far. I’m 95% done with the Now Would Be Good stories, but that is virtually unsellable because it starts when the main character is 13 and ends the summer she’s 18. Nobody buys YA with protagonists that young, at least not without some serious convincing. I’ve always known this was a problem, but I thought I’d have a chance with it if I could get an agent on Ugly, which for so long I believed would happen. I’ve been working on Sadie Speaks, too, and my book coach thinks this one could make it, but from what I’ve been hearing at conferences, the YA suspense/thriller market’s saturated and it’s hard for new writers to break in. 

I’m still debating what to do about the romances I write under a pen name, because those I’ve long planned to self-publish, so I don’t need to convince anyone I’m worth looking at there. But I never cared about those as much as my YA, so I don’t know.

As you might have noticed from my blog here lately, I’ve already been sort of shifting my focus to my art and learning how to make picture books, so I’m just going to make that my only real focus. 

I’m not sure what this means for this site. I don’t plan to delete everything, but I’m not sure if it makes sense to switch to talking only about picture books when it’s been so focused on YA for so long. Do I start reviewing the picture books I’m reading here, or should I make a new site for that? I have no idea. I am planning to publish any picture books I make under my real name, so maybe I should just keep the site as it is and change what I blog about. It’s hard to know. 

I guess I’ll just figure it out later. 

Feeling bit lost at the moment…

Writing and Education

I recently joined Sisters in Crime, a mystery/suspense/etc. writers’ group, just in time to attend there SinC Into Great Writing: Creating Authentic Characters webinar. I was excited about it because Lou Berney, the author I’m working with this semester for my suspense class in my MFA, was featured. But K. Tempest Bradford was also presenting about writing the other. I’ve heard of her but never seen her teach, which is a shame because she’s a great presenter. If you’re a writer wanting to learning about diverse representation and writing characters different from you, I highly recommend looking for her workshops. She’s very organized, clear, and deeply knowledgeable. She’s also a funny (not excessively so, but she kept it light despite the serious nature of the topic). She also talked about sensitivity readers. Apparently the going minimum is about $250/300, which isn’t bad to me. The next part of the webinar was a conversation about character with Walter Mosley and Lou Berney, which was also interesting. It really was just a conversation for the most part, with the moderator asking a few questions to get things going.

In MFA news, I sent my thesis to the second reader, which means there are no more changes to make. I also turned in the synopsis of rewritten Sadie Speaks to Lou last week and I’m looking forward to getting his feedback on it. If he doesn’t have recommendations for major changes, I’ll be able to submit two samples from the beginning of the book, which I’m hoping is two chapters each. Otherwise, I’ll have to revise the synopsis for the first submission. I just have one more submission to make in my research elective (though I do have half a book to read for it). So I’m really close to being done here.

Outside of that, I just started an online class called How Stories Get Told: Voice and Narrative Distance which I’m hoping is going to help me fix the narrative distance problem Ugly has. Because I think that’s the problem. We’re so buried in her head we can’t see the rest of the world.

I’m still internally debating doing NaNoWriMo this year. This is the month I need to do the planning if I want to make it work. I would be rewriting a romance of mine. I’m also trying to figure out if I’m going to cheat if I do decide to go for it. I already have some of the novel written (actually the whole thing, but only some of that is usable), so I could count the parts I pull in toward my word count. Normally, I’m a purist about it—I only start brand new projects and would never cheat. But it is 2020. So.

One issue is that I want to work on Ugly, too, so it will be hard to do both, which means I may not get to Ugly until December, when I told the agents I could get it to them by the end of the year. I’m also still actively working on the Now Would Be Good stories. I’m running it through my book coach 2500 words a week, with many weeks to go. On top of that, I’m taking another writing class on short stories that starts on October 13, so I’ll be trying to produce work for that. On top of that, I’m studying calculus to prepare for starting the statistics master’s again next fall. So really, if I were sensible, I would not do NaNo. But this is me, so who knows what I’ll decide.

An update on the expensive cat problem: my MacBook Air display died again, and this time they replaced it and two internal cables. So there really was something wrong with it that wasn’t from Maddox biting it. But I still installed a Maddox bite deterrent system:

Maddox Bite Deterrent System - cardboard taped to the corners of the screen

So far it’s working reasonably well. I’ve caught him biting the cardboard several times, but he hasn’t gotten past it yet.

Expensive Cat

There's really not much going on in my writing world. Still working away on the Sarah stories (Now Would Be Good). I worked up a new synopsis of Sadie Speaks to send to my mentor in a few weeks. I'm also really frustrated—I applied to a postgraduate semester in Writing for Children and Young Adults at the Vermont College of Fine Arts—I was hoping to work with a well-known YA author on Ugly—but they're taking a long time to get back to me. I think it's a rejection, which means I should get started revising Ugly again, but since I don't know, I'm stuck waiting. I'm kind of disappointed, though. I felt pretty confident in my application. But whatever.

I'm also trying to decide if I'm going to do NaNoWriMo this year. If I do, I'll be working on my second romance. It isn't totally planned out yet, which means I'll need to spend some of October prepping it. I haven't done NaNo since 2017, when I wrote Ugly.

I'm going to be running a sale (99 cents) on my book for a week in November and featuring it on Bargain Booksy again, on November 10th. I'm hoping to get a few more sales than I did when it was still $4.99.

Now for a little rant. This guy:

Maddox biting computer
Maddox trying to bite my work computer

Is in big trouble. I have a Macbook Air that I bought in July of 2019, and about four weeks ago the screen died. I fortunately have Apple Care, because they counted the chipped glass from Maddox's bites as accidental damage, so it didn't qualify for repair under the warranty (even though the tech at the Genius Bar agreed with me that it was unlikely to have actually caused the damage). That was $100. Within 3 hours of getting the repaired computer back, this monster bit the corner again, chipping it. Then, last Wednesday, the screen abruptly died. So, either his biting really is causing the damage, or I'm just really unlucky (no, I'm definitely unlucky, either way). I have an appointment at the Genius Bar Thursday. I'm hoping Apple Care will apply again and it will only be $100 again.

Sigh.