Short Story

Balls of knitted wool in basket, closeup

I’ve posted a short story I wrote called “Now Would Be Good” and posted it here. It’s a story of knitting and revenge. It may not sound like these belong together, but read it and you’ll see that they totally do. It is a long story, however, coming in at a little over 8000 words.

I intend to write additional stories and will continue posting them on my site, though I don’t have any more in the works right now. Stay tuned.

Edit 11/27/2017I’ve taken the story down for now because I’m entering it in a contest.

Edit 6/7/2018—The story’s back up since I didn’t win the contest, which doesn’t mean it’s not worth reading 🙂

PNWA Conference

I mentioned in my previous post that I’d be attending the Pacific Northwest Writers Association’s Annual Conference. It’s a regional conference, but it’s also well-organized and respected across the country. Many editors and agents based in New York and other places come out for it. It went really well this year. And it was nice to see all my writing friends, too. 🙂

Writers JourneyOn Thursday I did a master class with Christopher Vogler, who interpreted Joseph Campbell’s anthropological studies of mythology and stories into a pseudo-formula for writers many years ago. It eventually came out as a book called The Writers Journey: Mythic Structure for Writers, which provides a solid structure framework called the Hero’s Journey, which writers can use to construct a satisfying story. There’s some controversy about the true universality of this story structure (some feminists claim it only applies to men’s stories, for instance). My opinion is that while it is not the only possible good story structure, it can be a useful guide for almost any story. But there are definitely other story structures out there. Regardless, his class was good—Vogler’s a good speaker and he’s very emotionally involved in stories and his work with them, which really draws in the audience.

Queen SugarThursday night, the keynote speaker was Natalie Baszile, author of Queen Sugar. I admit I hadn’t heard of this book, though I’ve bought it and intend to read it because it sounds good. Oprah even picked it up and made a TV show out of it, which is apparently quite good. I know a lot of people snootily look down on Oprah, but I think she generally has good taste in books. Anyway, Natalie’s talk was all about her journey to publication, which was… long. She peppered the speech with family stories, some of which were funny (the box of Louisiana delicacies that were shipped every year, only to arrive as a box of rotting meat) and some of which weren’t (her father growing up in Louisiana and experiencing the small-town embedded racism there).

Friday was all about pitching. I pitched a book I’m writing under a pen name to an editor and four agents and had good results. One of the agents had rejected Finding Frances two years ago so I asked if I could resend it and she said yes. On top of that, I had a request for the first 50 pages of Finding Frances from an editor at a large publisher. I’ll send it to the agent soon, but I’m going to wait until I hear back from the editor who’s already got it before sending it to the new editor.

Fearless WritingOn Saturday, I went to several different sessions, mostly about craft. One was on hooks and how important they are, especially at the end of scenes and chapters. I went to a session about writing nonfiction for kids, something I’ve thought about dipping my toes into. I went to another session on writing diversity, which had a bunch of great tips. Sunday I went to a session called Fearless Marketing, with Bill Kenower,  the guy who wrote the recently-released Fearless Writing. He’s a little intimidating because he’s excessively passionate about everything, but the session was good. One final nice thing about the conference is that most of the sessions are recorded, so I bought fifteen of them on CDs. Gives me something to do on the horrible drive to and from work.

Upcoming Conference

Starting this Thursday, I’m going to be at a writers* conference, run by the Pacific Northwest Writers Association. It’s 3.5 intense days of talking to writers, learning about writing, and learning about the business of writing. I’ve been the last two years, as well, and this time I’m staying at the hotel, which is expensive but saves me the hassle of the hour on the road every day, a drive which is especially frustrating because said day runs early morning to 9:00 or 10:00 at night.

I managed to get two pitch sessions. At PNWA, the sessions are kind of a mad house, quite different from ones I’ve done at other conferences. Here, you are in a room with 150 other people for an hour. Agents and editors sit behind a line of tables at the back of the room. And you line up in front of the one you want to pitch next, get four minutes with them when it’s your turn, and move on to the next line. Depending on the popularity of the people you want to pitch, you usually get two to four pitches done. It all sounds a little intimidating, but I actually have found it’s not. Most of the agents are nice, even if they say no. Still, it’s helpful to have a pitch semi-memorized so you don’t have to read off something. I’m meeting with a friend this evening to practice.

However, I have a dilemma. I can’t decide what to pitch. I feel like I should wait on feedback from the other people on Finding Frances before querying/pitching anyone else. Maybe I’ll get more feedback. I ended up sending the revised manuscript to the agent who said she’d take a second look. (Though the more time passes, the more I’m thinking I should have figured out more things to change…). I was originally planning to pitch Sadie Speaks, however, I just sent that to a freelance developmental editor and she came back with recommendations that I change almost everything. Now, I’m not going to, but many of her points do require some serious reworking. The other option is to pitch a romance I’m writing under my pen name, but I’m only halfway done with the third draft on that one, and that won’t be the final draft, for sure. One thing that is also different about this pitching is that they don’t have a rule that you have to have the manuscript ready to send—you can wait weeks or months to send it. So I could do either.

So, quandary. I guess I’ll prepare two pitches and practice them with my friend tonight and fly by the seat of my pants on Friday, pitch day.

 

* Okay, I admit I never know if that should be “writers’”, “writers”, or even “writer’s.” It drives me crazy, the not knowing.

Mitigated Rejection

So, a couple weeks ago I had full manuscripts (Finding Frances) out with two agents and one editor. I got a rejection back from one of the agents last week. It was a no. However, she was nice enough to give me a lot of feedback, which is the first time any agent has done this. And she read the whole thing (!). She said she enjoyed the book quite a lot and was very complimentary of my writing ability. She pointed out a few specific weak areas of the book, which was really helpful because some of them are things no one else has noticed before. She also said she was sure I have a future as a writer and didn’t even recommend craft books or classes—instead she reminded me that it’s a subjective business and pointed me to the Writer’s Digest Guide to Literary Agents Blog. This is all nice, because a month or so ago, I was feeling like giving up. It’s a hard business and you need pretty thick skin. The weird thing is that I’m not thick skinned at all, but I have sort of developed it in the writing world. Critique groups are good training for this. Sharing something you’ve written is a really personal thing.

The Art of Character book coverAnother nice thing that happened that same day is that one of my former writing instructors offered to do a critique of a chapter or story of mine, all because I recommended a book on character that he ended up using in his summer writing class. It’s really popular with his students and he felt like he owed me a favor. I’m not sure he does, but I’ll probably take him up on that. I’ve got a short story I’m working on, which I may post here eventually. If you’re curious, the book is The Art of Character: Creating Memorable Characters for Fiction, Film, and TV by David Corbett.

Then, I emailed the original agent back to thank her, and she responded that she’d be willing to take another look if I address the issues she raised. So that is very awesome.

At this point, I still have my fingers crossed because Finding Frances is also still out with another agent and an editor, so there’s plenty of hope. And of course, even more promising is having the list of recommended changes from the original agent to work on. I was planning to only address them when I’ve heard back from the others, but now I’m thinking I should go ahead and make the changes. Either way, I should be hearing from the editor soon, but don’t know about the other agent.

Progress

I’ve made a little more progress in making my house look like a real house. I finished painting last weekend and then manually extracted each stupid carpet-pad staple from the subfloor. I got about 75% of the drywall compound off the floor by mopping it earlier in the week, making a bucket full of drywall mud in the process. I primed the floor in two coats so now it’s solid white (well, it’s two different whites because I had to use the two different primers, but still). At least it’s not subfloor-colored with various colors of paint and plaster all over it. I mean, it looks ridiculous, but if you use your imagination, you can sort of see a great room in there. (I don’t mean a “great” “room”, but a “great room”.)

Painted floor

Friday I got my Ikea furniture delivered—in 12 boxes. Sigh. I spent most of yesterday alternating between painting the floor and putting the furniture together.

Dining Room Chairs

Before
Before
After - completed chairs
After

Yay! Marvin only left his paw prints on some of them.

Dining Room Table

Before
Before
After - table in boxes
After

Spiffy Red Sofa

Before
Before
After - sofa boxes
After

Okay, so I wasn’t 100% successful. You try it. It will be so nice when it’s really all together. I have a couple of rugs to put down once the floor is more properly dry, and then I’m hoping the electrician will finally come and finish all that work up (I still have no heaters and have an ancient chandelier), and then I really will get the rest of the furniture put together. I can’t wait.

Old chandelier
Old Chandelier
Lights in box
New Chandelier and Hall Lights

Really, it can happen. I’m convinced.

Oh, and on top of that, my last class finished a couple weeks ago so I’ve finally been able to get back to my writing, like I should. I’m working on getting Sadie Speaks ready to query at the PNWA conference in mid-July, so that’s a lot of work, but it will be good to start getting that one out there.

Point of View and Editing

I originally wrote my first book in third person (“She went to the store”) but recently decided it would be better in first (“I went to the store”). So I converted the whole book, which was a ton of work and not nearly as easy as it sounds. It isn’t as simple as changing some pronouns. Certainly, that’s a large part of it, but it also requires looking at perspective. I wrote in third person limited, which means that I only wrote from the perspective of the narrator, the main character. The book only revealed what she could know, how she thought, and so on. But there’s another element even in third person, and that’s how the novel is written in terms of closeness to the narrator (how much the reader gets into their head). With close, in particular, you wouldn’t say something like, “She ran her hand through her blonde hair,” because it’s kind of weird for her to be thinking about the color of her hair. With more distance it would seem less weird. In my case, it was pretty close, which makes it quite similar to first person (and requires fewer changes). But there were still some things that needed changing.

I naturally had someone read through it after I made all the changes because I knew I would have missed some, and there were some funny mistakes that my reader caught. I thought I’d share them here for your amusement.

  • “…then I realized she’d have to pay for it all myself.”
  • “I chewed on her thumbnails…”
  • “I forced herself to nod.”
  • “I bit her lip…”
  • “Then she remembered what I’d been thinking about before and my stomach lurched.”
  • “I stopped and leaned on her knees …”
  • “…this was not helping me to clear her head at all.”
  • “I concentrated on her feet and looking at my surroundings.”
  • “I didn’t really know why I couldn’t get herself to start doing my homework.”
  • “…when I extricated herself…”

Anyway, I thought some of these were pretty funny. Maybe you did, too.