I lucked into finding this book to fulfill the “genre novel by an Indigenous, First Nations, or Native American author” category for the Read Harder challenge (which I am so not going to finish—my reading has slowed so much this year). It definitely fits that bill, as an urban fantasy grounded in Apache and other native cultures. The characters exist in an unusual world where certain aspects of the supernatural are recognized and handled in different ways, but otherwise it is just like modern America, microaggressions and all.
The somewhat light supernatural element is established early on, as the story opens with a plastic skull with googly eyes in the eye sockets, which scares the crap out of Ellie’s ghost dog, Kirby. We learn pretty quick that she’s the one who raised him from the dead, because she can do that. At the end of the first chapter, we learn that Ellie’s favorite cousin has been in a serious accident and probably won’t survive, and her mom forbids her from raising him if he does die.
That night, Trevor comes to Ellie in a dream and begs her to avenge his murder, even though everyone will think it was an accident. Soon afterward, Ellie and her dad follow her mom to Texas, where they are helping Trevor’s family. Ellie begins trying to figure out what happened to Trevor and how he could have been murdered. In the process, she uncovers the centuries-old secret of the town of Willowbee and its rather “special” inhabitants. She enlists the assistance of an old friend of hers, Jay, who helps from afar and then in person, and also brings along several other useful people (including a vampire).
I don’t want to give too much away, but let’s just say that the world-building is great, as it gives you just enough info to know what’s going on without overwhelming you with details. And Ellie’s raise-the-dead gift isn’t as simple as you might think, leading to several interesting situations. The native aspects of the tale are woven in tightly and couldn’t be removed without totally changing the story. There is some mythology (I guess that’s what you call it) and old family lore (Ellie feels a big connection to her quietly heroic sixth great grandmother, whose name she bears), but there’s also some of the day-to-day crap that indigenous and other people of color have to deal with from a lot of white people, who are still the majority of the cast in this book. There’s enough of this last stuff to make it realistic, but not so much that it distracts from the fact that this is a book meant to entertain. So I’d highly recommend this if you’re looking for an urban fantasy that’s fresh and interesting.